It was a very spacious place, over sixteen feet high, with a brick
flooring and bare walls painted an iron grey. A sheet of light, a stream
of sunshine, spread to every corner through a huge window facing the
south, where lay the immensity of Paris. The Venetian shutters often had
to be lowered in the summer to attenuate the great heat. From morn till
night the whole family lived here, closely and affectionately united in
work. Each was installed as fancy listed, having a particular chosen
place. One half of the building was occupied by the father's chemical
laboratory, with its stove, experiment tables, shelves for apparatus,
glass cases and cupboards for phials and jars. Near all this Thomas, the
eldest son, had installed a little forge, an anvil, a vice bench, in fact
everything necessary to a working mechanician, such as he had become
since taking his bachelor's degree, from his desire to remain with his
father and help him with certain researches and inventions. Then, at the
other end, the younger brothers, Francois and Antoine, got on very well
together on either side of a broad table which stood amidst a medley of
portfolios, nests of drawers and revolving book-stands. Francois, laden
with academical laurels, first on the pass list for the Ecole Normale,
had entered that college where young men are trained for university
professorships, and was there preparing for his Licentiate degree, while
Antoine, who on reaching the third class at the Lycee Condorcet had taken
a dislike to classical studies, now devoted himself to his calling as a
wood-engraver. And, in the full light under the window, Mere-Grand and
Marie likewise had their particular table, where needlework, embroidery,
all sorts of _chiffons_ and delicate things lay about near the somewhat
rough jumble of retorts, tools and big books.
Marie, however, on the very threshold called out in her calm voice, to
which she strove to impart a gay and cheering accent: "Children!
children! here is Monsieur l'Abbe with news of father!"
Public-domain text, read in full here on John Shaqi.
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