The Three Cities Trilogy: Rome, Complete — John Shaqi
The Three Cities Trilogy: Rome, CompleteZola, Émile
General
The Three Cities Trilogy: Rome, Complete
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Rome (Italy) -- Fiction
Guided by a secret influence, however, Pierre soon ceased to take
interest in all but three points of the mighty panorama. That line of
slender cypresses which set a black fringe on the height of the Palatine
yonder filled him with emotion: beyond it he saw only a void: the palaces
of the Caesars had disappeared, had fallen, had been razed by time; and
he evoked their memory, he fancied he could see them rise like vague,
trembling phantoms of gold amidst the purple of that splendid morning.
Then his glances reverted to St. Peter’s, and there the dome yet soared
aloft, screening the Vatican which he knew was beside the colossus,
clinging to its flanks. And that dome, of the same colour as the heavens,
appeared so triumphant, so full of strength, so vast, that it seemed to
him like a giant king, dominating the whole city and seen from every spot
throughout eternity. Then he fixed his eyes on the height in front of
him, on the Quirinal, and there the King’s palace no longer appeared
aught but a flat low barracks bedaubed with yellow paint.
And for him all the secular history of Rome, with its constant
convulsions and successive resurrections, found embodiment in that
symbolical triangle, in those three summits gazing at one another across
the Tiber. Ancient Rome blossoming forth in a piling up of palaces and
temples, the monstrous florescence of imperial power and splendour; Papal
Rome, victorious in the middle ages, mistress of the world, bringing that
colossal church, symbolical of beauty regained, to weigh upon all
Christendom; and the Rome of to-day, which he knew nothing of, which he
had neglected, and whose royal palace, so bare and so cold, brought him
disparaging ideas--the idea of some out-of-place, bureaucratic effort,
some sacrilegious attempt at modernity in an exceptional city which
should have been left entirely to the dreams of the future. However, he
shook off the almost painful feelings which the importunate present
brought to him, and would not let his eyes rest on a pale new district,
quite a little town, in course of erection, no doubt, which he could
distinctly see near St. Peter’s on the margin of the river. He had dreamt
of his own new Rome, and still dreamt of it, even in front of the
Palatine whose edifices had crumbled in the dust of centuries, of the
dome of St. Peter’s whose huge shadow lulled the Vatican to sleep, of the
Palace of the Quirinal repaired and repainted, reigning in homely fashion
over the new districts which swarmed on every side, while with its ruddy
roofs the olden city, ripped up by improvements, coruscated beneath the
bright morning sun.
Public-domain text, read in full here on John Shaqi.
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