The Three Cities Trilogy: Rome, Complete — John Shaqi
The Three Cities Trilogy: Rome, CompleteZola, Émile
General
The Three Cities Trilogy: Rome, Complete
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Rome (Italy) -- Fiction
It was a square and fairly spacious court, surrounded by a porticus like
a cloister. Some remnants of statuary, marbles discovered in excavating,
an armless Apollo, and the trunk of a Venus, were ranged against the
walls under the dismal arcades; and some fine grass had sprouted between
the pebbles which paved the soil as with a black and white mosaic. It
seemed as if the sun-rays could never reach that paving, mouldy with
damp. A dimness and a silence instinct with departed grandeur and
infinite mournfulness reigned there.
Surprised by the emptiness of this silent mansion, Pierre continued
seeking somebody, a porter, a servant; and, fancying that he saw a shadow
flit by, he decided to pass through another arch which led to a little
garden fringing the Tiber. On this side the facade of the building was
quite plain, displaying nothing beyond its three rows of symmetrically
disposed windows. However, the abandonment reigning in the garden brought
Pierre yet a keener pang. In the centre some large box-plants were
growing in the basin of a fountain which had been filled up; while among
the mass of weeds, some orange-trees with golden, ripening fruit alone
indicated the tracery of the paths which they had once bordered. Between
two huge laurel-bushes, against the right-hand wall, there was a
sarcophagus of the second century--with fauns offering violence to
nymphs, one of those wild _baccanali_, those scenes of eager passion
which Rome in its decline was wont to depict on the tombs of its dead;
and this marble sarcophagus, crumbling with age and green with moisture,
served as a tank into which a streamlet of water fell from a large tragic
mask incrusted in the wall. Facing the Tiber there had formerly been a
sort of colonnaded loggia, a terrace whence a double flight of steps
descended to the river. For the construction of the new quays, however,
the river bank was being raised, and the terrace was already lower than
the new ground level, and stood there crumbling and useless amidst piles
of rubbish and blocks of stone, all the wretched chalky confusion of the
improvements which were ripping up and overturning the district.
Pierre, however, was suddenly convinced that he could see somebody
crossing the court. So he returned thither and found a woman somewhat
short of stature, who must have been nearly fifty, though as yet she had
not a white hair, but looked very bright and active. At sight of the
priest, however, an expression of distrust passed over her round face and
clear eyes.
Employing the few words of broken Italian which he knew, Pierre at once
sought to explain matters: “I am Abbe Pierre Froment, madame--” he began.
Public-domain text, read in full here on John Shaqi.
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