The Three Cities Trilogy: Rome, Volume 2Zola, Émile
General
The Three Cities Trilogy: Rome, Volume 2
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Rome (Italy) -- Fiction
Celia, for her part, had determined to win Attilio on the very first day
when their eyes had met. And it was from a window of the Palazzo
Buongiovanni that she had perceived him one afternoon of mortal
weariness. He had just raised his head, and she had taken him for ever
and given herself to him with those large, pure eyes of hers as they
rested on his own. She was but an /amorosa/--nothing more; he pleased
her; she had set her heart on him--him and none other. She would have
waited twenty years for him, but she relied on winning him at once by
quiet stubbornness of will. People declared that the terrible fury of the
Prince, her father, had proved impotent against her respectful, obstinate
silence. He, man of mixed blood as he was, son of an American woman, and
husband of an English woman, laboured but to retain his own name and
fortune intact amidst the downfall of others; and it was rumoured that as
the result of a quarrel which he had picked with his wife, whom he
accused of not sufficiently watching over their daughter, the Princess
had revolted, full not only of the pride of a foreigner who had brought a
huge dowry in marriage, but also of such plain, frank egotism that she
had declared she no longer found time enough to attend to herself, let
alone another. Had she not already done enough in bearing him five
children? She thought so; and now she spent her time in worshipping
herself, letting Celia do as she listed, and taking no further interest
in the household through which swept stormy gusts.
However, the carriage was again about to pass the Buongiovanni mansion,
and Dario forewarned Pierre. "You see," said he, "Attilio has come back.
And now look up at the third window on the first floor."
It was at once rapid and charming. Pierre saw the curtain slightly drawn
aside and Celia's gentle face appear. Closed, candid lily, she did not
smile, she did not move. Nothing could be read on those pure lips, or in
those clear but fathomless eyes of hers. Yet she was taking Attilio to
herself, and giving herself to him without reserve. And soon the curtain
fell once more.
"Ah, the little mask!" muttered Dario. "Can one ever tell what there is
behind so much innocence?"
As Pierre turned round he perceived Attilio, whose head was still raised,
and whose face was also motionless and pale, with closed mouth, and
widely opened eyes. And the young priest was deeply touched, for this was
love, absolute love in its sudden omnipotence, true love, eternal and
juvenescent, in which ambition and calculation played no part.
Public-domain text, read in full here on John Shaqi.
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