The Three Cities Trilogy: Rome, Volume 3Zola, Émile
History
The Three Cities Trilogy: Rome, Volume 3
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Rome (Italy) -- Fiction
For the ceremony on the following day, it was fortunate that Pierre held
a private ticket which admitted him to a reserved gallery, for the
scramble at the entrances to the Basilica proved terrible. The mass,
which the Pope was to celebrate in person, was fixed for ten o'clock, but
people began to pour into St. Peter's four hours earlier, as soon,
indeed, as the gates had been thrown open. The three thousand members of
the International Pilgrimage were increased tenfold by the arrival of all
the tourists in Italy, who had hastened to Rome eager to witness one of
those great pontifical functions which nowadays are so rare. Moreover,
the devotees and partisans whom the Holy See numbered in Rome itself and
in other great cities of the kingdom, helped to swell the throng, all
alacrity at the prospect of a demonstration. Judging by the tickets
distributed, there would be a concourse of 40,000 people. And, indeed, at
nine o'clock, when Pierre crossed the piazza on his way to the Canons'
Entrance in the Via Santa Marta, where the holders of pink tickets were
admitted, he saw the portico of the facade still thronged with people who
were but slowly gaining admittance, while several gentlemen in evening
dress, members of some Catholic association, bestirred themselves to
maintain order with the help of a detachment of Pontifical Guards.
Nevertheless, violent quarrels broke out in the crowd, and blows were
exchanged amidst the involuntary scramble. Some people were almost
stifled, and two women were carried off half crushed to death.
A disagreeable surprise met Pierre on his entry into the Basilica. The
huge edifice was draped; coverings of old red damask with bands of gold
swathed the columns and pilasters, seventy-five feet high; even the
aisles were hung with the same old and faded silk; and the shrouding of
those pompous marbles, of all the superb dazzling ornamentation of the
church bespoke a very singular taste, a tawdry affectation of pomposity,
extremely wretched in its effect. However, he was yet more amazed on
seeing that even the statue of St. Peter was clad, costumed like a living
pope in sumptuous pontifical vestments, with a tiara on its metal head.
He had never imagined that people could garment statues either for their
glory or for the pleasure of the eyes, and the result seemed to him
disastrous.
Public-domain text, read in full here on John Shaqi.
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