The Three Cities Trilogy: Rome, Volume 3Zola, Émile
History
The Three Cities Trilogy: Rome, Volume 3
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Rome (Italy) -- Fiction
In the evenings, when he came back from his strolls and spent an hour or
so in Dario's room, he would for a time divert the patient by relating
what he had done and seen and thought of during the day. And when he
again ventured to stray beyond the district, and became enamoured of the
lovely gardens of Rome, which he visited as soon as they opened in the
morning in order that he might be virtually alone, he delighted the young
prince and Benedetta with his enthusiasm, his rapturous passion for the
splendid trees, the plashing water, and the spreading terraces whence the
views were so sublime. It was not the most extensive of these gardens
which the more deeply impressed his heart. In the grounds of the Villa
Borghese, the little Roman Bois de Boulogne, there were certainly some
majestic clumps of greenery, some regal avenues where carriages took a
turn in the afternoon before the obligatory drive to the Pincio; but
Pierre was more touched by the reserved garden of the villa--that villa
dazzling with marble and now containing one of the finest museums in the
world. There was a simple lawn of fine grass with a vast central basin
surmounted by a figure of Venus, nude and white; and antique fragments,
vases, statues, columns, and /sarcophagi/ were ranged symmetrically all
around the deserted, sunlit yet melancholy, sward. On returning on one
occasion to the Pincio Pierre spent a delightful morning there,
penetrated by the charm of this little nook with its scanty evergreens,
and its admirable vista of all Rome and St. Peter's rising up afar off in
the soft limpid radiance. At the Villa Albani and the Villa Pamphili he
again came upon superb parasol pines, tall, stately, and graceful, and
powerful elm-trees with twisted limbs and dusky foliage. In the Pamphili
grounds, the elm-trees steeped the paths in a delicious half-light, the
lake with its weeping willows and tufts of reeds had a dreamy aspect,
while down below the /parterre/ displayed a fantastic floral mosaic
bright with the various hues of flowers and foliage. That which most
particularly struck Pierre, however, in this, the noblest, most spacious,
and most carefully tended garden of Rome, was the novel and unexpected
view that he suddenly obtained of St. Peter's, whilst skirting a low
wall: a view whose symbolism for ever clung to him. Rome had completely
vanished, and between the slopes of Monte Mario and another wooded height
which hid the city, there only appeared the colossal dome which seemed to
be poised on an infinity of scattered blocks, now white, now red. These
were the houses of the Borgo, the jumbled piles of the Vatican and the
Basilica which the huge dome surmounted and annihilated, showing greyly
blue in the light blue of the heavens, whilst far away stretched a
delicate, boundless vista of the Campagna, likewise of a bluish tint.
Public-domain text, read in full here on John Shaqi.
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