The Three Cities Trilogy: Rome, Volume 3Zola, Émile
History
The Three Cities Trilogy: Rome, Volume 3
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Rome (Italy) -- Fiction
It was, however, more particularly in the less sumptuous gardens, those
of a more homely grace, that Pierre realised that even things have souls.
Ah! that Villa Mattei on one side of the Coelius with its terraced
grounds, its sloping alleys edged with laurel, aloe, and spindle tree,
its box-plants forming arbours, its oranges, its roses, and its
fountains! Pierre spent some delicious hours there, and only found a
similar charm on visiting the Aventine, where three churches are
embowered in verdure. The little garden of Santa Sabina, the birthplace
of the Dominican order, is closed on all sides and affords no view: it
slumbers in quiescence, warm and perfumed by its orange-trees, amongst
which that planted by St. Dominic stands huge and gnarled but still laden
with ripe fruit. At the adjoining Priorato, however, the garden, perched
high above the Tiber, overlooks a vast expanse, with the river and the
buildings on either bank as far as the summit of the Janiculum. And in
these gardens of Rome Pierre ever found the same clipped box-shrubs, the
same eucalypti with white trunks and pale leaves long like hair, the same
ilex-trees squat and dusky, the same giant pines, the same black
cypresses, the same marbles whitening amidst tufts of roses, and the same
fountains gurgling under mantling ivy. Never did he enjoy more gentle,
sorrow-tinged delight than at the Villa of Pope Julius, where all the
life of a gay and sensual period is suggested by the semi-circular
porticus opening on the gardens, a porticus decorated with paintings,
golden trellis-work laden with flowers, amidst which flutter flights of
smiling Cupids. Then, on the evening when he returned from the Farnesina,
he declared that he had brought all the dead soul of ancient Rome away
with him, and it was not the paintings executed after Raffaelle's designs
that had touched him, it was rather the pretty hall on the river side
decorated in soft blue and pink and lilac, with an art devoid of genius
yet so charming and so Roman; and in particular it was the abandoned
garden once stretching down to the Tiber, and now shut off from it by the
new quay, and presenting an aspect of woeful desolation, ravaged, bossy
and weedy like a cemetery, albeit the golden fruit of orange and citron
tree still ripened there.
Public-domain text, read in full here on John Shaqi.
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