The Three Cities Trilogy: Rome, Volume 5 — John Shaqi
The Three Cities Trilogy: Rome, Volume 5Zola, Émile
General
The Three Cities Trilogy: Rome, Volume 5
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Rome (Italy) -- Fiction
Pierre, as he slowly paced to and fro, gradually became absorbed in his
thoughts of that lofty and sovereign personality. From the petty details
of the Pope's daily existence, he passed to his intellectual life, to the
/role/ which he was certainly bent on playing as a great pontiff. And
Pierre asked himself which of his two hundred and fifty-seven
predecessors, the long line of saints and criminals, men of mediocrity
and men of genius, he most desired to resemble. Was it one of the first
humble popes, those who followed on during the first three centuries,
mere heads of burial guilds, fraternal pastors of the Christian
community? Was it Pope Damasus, the first great builder, the man of
letters who took delight in intellectual matters, the ardent believer who
is said to have opened the Catacombs to the piety of the faithful? Was it
Leo III, who by crowning Charlemagne boldly consummated the rupture with
the schismatic East and conveyed the Empire to the West by the
all-powerful will of God and His Church, which thenceforth disposed of
the crowns of monarchs? Was it the terrible Gregory VII, the purifier of
the temple, the sovereign of kings; was it Innocent III or Boniface VIII,
those masters of souls, nations, and thrones, who, armed with the fierce
weapon of excommunication, reigned with such despotism over the terrified
middle ages that Catholicism was never nearer the attainment of its dream
of universal dominion? Was it Urban II or Gregory IX or another of those
popes in whom flared the red Crusading passion which urged the nations on
to the conquest of the unknown and the divine? Was it Alexander III, who
defended the Holy See against the Empire, and at last conquered and set
his foot on the neck of Frederick Barbarossa? Was it, long after the
sorrows of Avignon, Julius II, who wore the cuirass and once more
strengthened the political power of the papacy? Was it Leo X, the
pompous, glorious patron of the Renascence, of a whole great century of
art, whose mind, however, was possessed of so little penetration and
foresight that he looked on Luther as a mere rebellious monk? Was it Pius
V, who personified dark and avenging reaction, the fire of the stakes
that punished the heretic world? Was it some other of the popes who
reigned after the Council of Trent with faith absolute, belief
re-established in its full integrity, the Church saved by pride and the
stubborn upholding of every dogma? Or was it a pope of the decline, such
as Benedict XIV, the man of vast intelligence, the learned theologian
who, as his hands were tied, and he could not dispose of the kingdoms of
the world, spent a worthy life in regulating the affairs of heaven?
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