The Three Cities Trilogy: Rome, Volume 5Zola, Émile
General
The Three Cities Trilogy: Rome, Volume 5
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Rome (Italy) -- Fiction
When he reached the threshold of the Cardinal's reception-rooms, he
suddenly remembered his first visit to them. They still presented the
same aspect of ancient princely pomp falling into decay and dust. The
doors of the three large ante-rooms were wide open, and the rooms
themselves were at that early hour still empty. In the first one, the
servants' anteroom, there was nobody but Giacomo who stood motionless in
his black livery in front of the old red hat hanging under the
/baldacchino/ where spiders spun their webs between the crumbling
tassels. In the second room, which the secretary formerly had occupied,
Abbe Paparelli, the train-bearer, was softly walking up and down whilst
waiting for visitors; and with his conquering humility, his all-powerful
obsequiousness, he had never before so closely resembled an old maid,
whitened and wrinkled by excess of devout observances. Finally, in the
third ante-room, the /anticamera nobile/, where the red cap lay on a
credence facing the large imperious portrait of the Cardinal in
ceremonial costume, there was Don Vigilio who had left his little
work-table to station himself at the door of the throne-room and there
bow to those who crossed the threshold. And on that gloomy winter morning
the rooms appeared more mournful and dilapidated than ever, the hangings
frayed and ragged, the few articles of furniture covered with dust, the
old wood-work crumbling beneath the continuous onslaught of worms, and
the ceilings alone retaining their pompous show of gilding and painting.
However, Pierre, to whom Abbe Paparelli addressed a profound bow, in
which one divined the irony of a sort of dismissal given to one who was
vanquished, felt more impressed by the mournful grandeur which those
three dilapidated rooms presented that day, conducting as they did to the
old throne-room, now a chamber of death, where the two last children of
the house slept their last sleep. What a superb and sorrowful /gala/ of
death! Every door wide open and all the emptiness of those over-spacious
rooms, void of the throngs of ancient days and leading to the supreme
affliction--the end of a race! The Cardinal had shut himself up in his
little work-room where he received the relatives and intimates who
desired to present their condolences to him, whilst Donna Serafina had
chosen an adjoining apartment to await her lady friends who would come in
procession until evening. And Pierre, informed of the ceremonial by
Victorine, had in the first place to enter the throne-room, greeted as he
passed by a deep bow from Don Vigilio who, pale and silent, did not seem
to recognise him.
Public-domain text, read in full here on John Shaqi.
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