The Three Cities Trilogy: Rome, Volume 5Zola, Émile
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The Three Cities Trilogy: Rome, Volume 5
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Rome (Italy) -- Fiction
All at once the ebony clock struck nine and the young man felt
astonished. What! had only ten minutes elapsed since he had crossed the
threshold of the bronze doors below? He felt as if he had been walking on
for days and days. Then, desiring to overcome the nervous feeling which
oppressed him--for he ever feared lest his enforced calmness should
collapse amidst a flood of tears--he began to walk up and down, passing
in front of the clock, glancing at the crucifix on the pier table, and
the globe of the lamp on which had remained the mark of a servant's
greasy fingers. And the light was so faint and yellow that he felt
inclined to turn the lamp up, but did not dare. Then he found himself
with his brow resting against one of the panes of the window facing the
Piazza of St. Peter's, and for a moment he was thunderstruck, for between
the imperfectly closed shutters he could see all Rome, as he had seen it
one day from the /loggie/ of Raffaelle, and as he had pictured Leo XIII
contemplating it from the window of his bed-room. However, it was now
Rome by night, Rome spreading out into the depths of the gloom, as
limitless as the starry sky. And in that sea of black waves one could
only with certainty identify the larger thoroughfares which the white
brightness of electric lights turned, as it were, into Milky Ways. All
the rest showed but a swarming of little yellow sparks, the crumbs, as it
were, of a half-extinguished heaven swept down upon the earth. Occasional
constellations of bright stars, tracing mysterious figures, vainly
endeavoured to show forth distinctly, but they were submerged, blotted
out by the general chaos which suggested the dust of some old planet that
had crumbled there, losing its splendour and reduced to mere
phosphorescent sand. And how immense was the blackness thus sprinkled
with light, how huge the mass of obscurity and mystery into which the
Eternal City with its seven and twenty centuries, its ruins, its
monuments, its people, its history seemed to have been merged. You could
no longer tell where it began or where it ended, whether it spread to the
farthest recesses of the gloom, or whether it were so reduced that the
sun on rising would illumine but a little pile of ashes.
Public-domain text, read in full here on John Shaqi.
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