She began to laugh:
"You can give it up. I intend to go on. If god-father chooses to
distrust us, it's his look-out."
I did not try to restrain her. She slipped softly between the nearest
two sheds. I followed close upon her heels.
In this way we stole to the end of the open ground which occupied the
middle of the Yard and we saw Noël Dorgeroux standing by the screen.
He had not yet drawn the black-serge curtain.
"Look," Bérangère whispered, "over there: you see a stack of wood with
a tarpaulin over it? We shall be all right behind that."
"But suppose my uncle looks round while we're crossing?"
"He won't."
She was the first to venture across; and I joined her without any
mishap. We were not more than a dozen yards from the screen.
"My heart's beating so!" said Bérangère. "I've seen nothing, you know:
only those--sort of eyes. And there's a lot more, isn't there?"
Our refuge consisted of two stacks of small short planks, with bags of
sand between the stacks. We sat down here, in a position which brought
us close together. Nevertheless Bérangère maintained the same distant
attitude as before; and I now thought of nothing but what my uncle
was doing.
He was holding his watch in his hand and consulting it at intervals,
as though waiting for a time which he had fixed beforehand. And that
time arrived. The curtain grated on its metal rod. The screen was
uncovered.
From where we sat we could see the bare surface as well as my uncle
could, for the intervening space fell very far short of the length of
an ordinary picture-palace. The first outlines to appear were
therefore absolutely plain to us. They were the lines of the three
geometrical figures which I knew so well: the same proportions, the
same arrangement, the same impassiveness, followed by that same
palpitation, coming entirely from within, which animated them and made
them live.
"Yes, yes," whispered Bérangère, "my god-father said so one day: they
are alive, the Three Eyes."
"They are alive," I declared, "and they gaze at you. Look at the two
lower eyes by themselves; think of them as actual eyes; and you will
see that they really have an expression. There, they're smiling now."
"You're right, they're smiling."
"And see what a soft and gentle look they have now . . . a little
serious also. . . . Oh, Bérangère, it's impossible!"
"What?"
"They have your expression, Bérangère, your expression."
"What nonsense! It's ridiculous!"
"The very expression of your eyes. You don't know it yourself. But I
do. They have never looked at me like that; but, all the same, they
are your eyes, it's their expression, their charm. I know, because
these make me feel . . . eh, as yours do, Bérangère!"
But the end was approaching. The three geometrical figures began to
revolve upon themselves with the same dizzy motion which reduced them
to a confused disk which soon vanished.
"They're your eyes, Bérangère," I stammered; "there's not a doubt
about it; it was as though you were looking at me."
Public-domain text, read in full here on John Shaqi.
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