Her father was written to, at Toulouse. The man Massignac replied that he had been in bed for a fortnight with a sharp attack of influenza, that he would come to Paris as soon as he was well, but that, having had no news of his daughter for years, he was unable to furnish any particulars about her. So, when all was said and done, whether kidnapped, as I preferred to believe, or in hiding, as the police suspected, Bérangère was nowhere to be found. Meanwhile, the public was beginning to grow excited about a case which, before long, was to rouse it to a pitch of delirium. No doubt at first there was merely a question of the crime itself. The murder of Noël Dorgeroux, the abduction of his god-daughter--the police consented, at my earnest entreaties, to accept this as the official version--the theft of my uncle's manuscript, the theft of the formula: all this, at the outset, only puzzled men's minds as a cunningly-devised conspiracy and a cleverly-executed crime. But not many days elapsed before the revelations which I was constrained to make diverted all the attention of the newspapers and all the curiosity of the public to Noël Dorgeroux's discovery. For I had to speak, notwithstanding the promise of silence which I had given my uncle. I had to answer the magistrate's questions, to tell all I knew, to explain matters, to enter into details, to write a report, to protest against ill-formed judgments, to rectify mistakes, to specify, enumerate, classify, in short, to confide to the authorities and incidentally to the eager reporters all that my uncle had said to me, all his dreams, all the wonders of the Yard, all the phantasmal visions which I had beheld upon the screen. Before a week was over, Paris, France, the whole world knew in every detail, save for the points which concerned Bérangère and myself alone, what was at once and spontaneously described as the mystery of the Three Eyes. Of course I was met with irony, sarcasm and uproarious laughter. A miracle finds no believers except among its astounded witnesses. And what but a miracle could be put forward as the cause of a phenomenon which, I maintained, had no credible cause? The execution of Edith Cavell was a miracle. So was the representation of the fight between two airmen. So was the scene in which Noël Dorgeroux's son was hit by a bullet. So, above all, was the looming of those Three Eyes, which throbbed with life, which gazed at the spectator and which were the eyes of the very people about to figure in the spectacle as the actors thus miraculously announced!