"Reckon all that's changed now," hastily put in Dunk--"they say now as
gaol's lik a hotel--but not so free and easy, I take it, not so free and
easy. Name it, Mus' Furlonger--see your glass is empty."
This time Nigel named a brandy.
"Reckon you can't order wot you lik fur dinner--and got to do your
little bit o' work. But the gaol-buildings themselves, they're just lik
hotels, they're palisses--handsomer than a workhouse."
"They're damned stinking hells," said Nigel--the brandy had loosed his
tongue.
A murmur of approval ran through the bar. The great Furlonger had at
last been drawn into the conversation. He sat at a small table, his
fingers round his empty glass--about half a dozen voices begged him to
"name it."
At first he hesitated. He was now a hero--for the first time for
years--and yet it was a hero-worship he could not swallow sober. But he
wanted it. He wanted to be looked up to, for a change--to be deferred
to, and exalted; and if he could not stand it sober, he must get drunk,
that was all. He named another brandy.
The patrons of the bar were drawing round him. The barmaid was patting
and pulling at her hair; even "Charley," the seedy nondescript that
haunts all bars, and, unsalaried and ignored, brings the dirty glasses
to the counter from the outlying tables--even "Charley" came forward
with a deprecating grin and heel-taps of stout.
Nigel had gulped down the brandy, and, without exactly knowing why, had
sprung to his feet.
"Give us a speech, Mus' Furlonger!" cried Boorer of the Kenthouse. "Tell
us about gaol, and why it's damned and stinking."
"Have something to cool you fust," suggested Breame.
Nigel shook his head. He was in that convenient state when a man is
sober enough to know he is drunk.
"Gaol's damned and stinking," he began, glaring sharply round him, "in
the same way that this bar is damned and stinking--because it's full of
men. But in gaol they're divided into two classes, top scoundrels and
bottom scoundrels. The top scoundrels are the warders, with their eye at
your door, and their hand inside your coat--in case you've got baccy."
A murmur of sympathy ran through his listeners, who had been a little
taken aback by his opening phrases.
"Baccy's one of the things you aren't allowed. There's lots of
others--drink, and girls, and your own body and soul--the body your
mother gave you, and the soul God gave you," he finished sententiously
with a hiccup.
Some one thrust another glass into his hand, and he gulped it down. It
burnt his throat.
"I once had a body, and I once had a soul, but they aren't mine any
longer now. They belong to the state--hic--they're number
seventy-six--that's me who's speaking to you--number seventy-six--no
other name for three yearsh ... go and see the p'lice every
month--convict seventy-six ... made me no better'n a child--hic--what'er
you to do with a man when he's got too clever for you?--turn him into a
child--a crying child--a damn crying child--like me----"
Public-domain text, read in full here on John Shaqi.
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