One morning, some eight or nine days after our arrival, I looked out of my window and saw the whole landscape transmuted before me. The clouds had dipped low and hidden the mountain in the west, and a southern wind was driving the rain in shifting pillars up the valley, and the little brooklet that burst the hill below the house now raged, a red torrent, down to the river. We were perforce obliged to keep snug within doors, and when I had attended to my pupils, I sat down in the morning-room where the ruins of a library still encumbered an old-fashioned bookcase. I had inspected the shelves once or twice, but their contents had failed to attract me; volumes of eighteenth century sermons, an old book on farriery, a collection of "Poems" by "persons of quality," Prideaux's "Connection," and an odd volume of Pope were the boundaries of the library, and there seemed little doubt that everything of interest or value had been removed. Now, however, in desperation, I began to re-examine the musty sheepskin and calf bindings, and found, much to my delight, a fine old quarto printed by the Stephani, containing the three books of Pomponius Mela, "De Situ Orbis," and other of the ancient geographers. I knew enough of Latin to steer my way through an ordinary sentence, and I soon became absorbed in the odd mixture of fact and fancy; light shining on a little of the space of the world, and beyond mist and shadow and awful forms. Glancing over the clear-printed pages, my attention was caught by the heading of a chapter in Solinus, and I read the words:-- MIRA DE INTIMIS GENTIBUS LIBYAE, DE LAPIDE HEXECONTALITHO. "The wonders of the people that inhabit the inner parts of Libya, and of the stone called Sixtystone." The odd title attracted me and I read on:-- "Gens ista avia et secreta habitat, in montibus horrendis foeda mysteria celebrat. De hominibus nihil aliud illi præferunt quam figuram, ab humano ritu prorsus exulant, oderunt deum lucis. Stridunt potius quam loquuntur; vox absona nec sine horrore auditur. Lapide quodam gloriantur, quem Hexecontalithon vocant, dicunt enim hunc lapidem sexaginta notas ostendere. Cujus lapidis nomen secretum ineffabile colunt: quod Ixaxar." "This folk," I translated to myself, "dwells in remote and secret places, and celebrates foul mysteries on savage hills. Nothing have they in common with men save the face, and the customs of humanity are wholly strange to them; and they hate the sun. They hiss rather than speak; their voices are harsh, and not to be heard without fear. They boast of a certain stone, which they call Sixtystone; for they say that it displays sixty characters. And this stone has a secret unspeakable name; which is Ixaxar."