The Three Miss Kings: An Australian StoryCambridge, Ada
History
The Three Miss Kings: An Australian Story
Cambridge, Ada
Australia -- History -- 1788-1900 -- Fiction; Sisters -- Fiction; Young women -- Fiction
And so they began to pack up. And the fuss and confusion of that
occupation--which becomes so irksome when the charm of novelty is
past--was full of enjoyment for them all. It would have done the
travel-worn cynic good to see them scampering about the house, as
lightly as the kittens that frisked after them, carrying armfuls of
house linen and other precious chattels to and fro, and prattling the
while of their glorious future like so many school children about to
pay a first visit to the pantomime. It was almost heartless, Mrs.
Dunn thought--dropping in occasionally to see how they were getting
on--considering what cause had broken up their home, and that their
father had been so recently taken from them that she (Mrs. Dunn) could
not bring herself to walk without hesitation into the house, still
fancying she should see him sitting in his arm-chair and looking at her
with those hard, unsmiling eyes, as if to ask her what business she had
there. But Mr. King had been a harsh father, and this is what harsh
fathers must expect of children who have never learned how to dissemble
for the sake of appearances. They reverenced his memory and held it
dear, but he had left them no associations that could sadden them like
the sight of their mother's clothes folded away in the long unopened
drawers of the wardrobe in her room--the room in which he had slept and
died only a few weeks ago.
These precious garments, smelling of lavender, camphor, and sandalwood,
were all taken out and looked at, and tenderly smoothed afresh, and
laid in a deep drawer of the bureau. There were treasures amongst them
of a value that the girls had no idea of--old gowns of faded brocade
and embroidered muslin, a yellow-white Indian shawl so soft that it
could be drawn through a wedding ring, yellower lace of still more
wonderful texture, and fans, and scarfs, and veils, and odds and ends
of ancient finery, that would have been worth considerably more than
their weight in gold to a modern art collector. But these reminiscences
of their mother's far-off girlhood, carefully laid in the bottom of the
drawer, were of no account to them compared with the half-worn gowns
of cheap stuff and cotton--still showing the print of her throat and
arms--that were spread so reverently on the top of them; and compared
with the numerous other memorials of her last days--her workbox, with
its unfinished bit of needlework, and scissors and thimble, and tapes
and cottons, just as she had left it--her Prayer-Book and Bible--her
favourite cup, from which she drank her morning tea--her shabby velvet
slippers, her stiff-fingered gardening gloves--all the relics that her
children had cherished of the daily, homely life that they had been
privileged to share with her; the bestowal of which was carried on in
silence, or with tearful whispers, while all the pets were locked out
of the room, as if it had been a religious function. When this drawer
Public-domain text, read in full here on John Shaqi.
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