The Three Miss Kings: An Australian StoryCambridge, Ada
History
The Three Miss Kings: An Australian Story
Cambridge, Ada
Australia -- History -- 1788-1900 -- Fiction; Sisters -- Fiction; Young women -- Fiction
There was no room for doubt as to what Paul Brion had meant. When
the evening of the next day came--on which there was no Parliament
sitting--he returned to No. 7 to dinner, and after dinner it was
apparent that neither professional nor other engagements would have
prevented him from enjoying the society of his fair neighbours if he
had had a mind for it. His sitting-room opened upon the balcony--so
did theirs; there was but a thin partition between them, and the girls
knew not only when he was at home, but to a great extent what he was
doing, by the presence and pungency of the odour from his pipe. When
only faint whiffs stole into their open window from time to time,
he was in his room, engaged--it was supposed--upon those wonderful
leading articles which were, to them, the great feature of the paper
to whose staff he belonged. At such times--for the houses in Myrtle
Street were of a very lath-and-plastery order--they were careful to
make no noise, and especially not to open their piano, that he might
pursue his arduous labours undisturbed. But sometimes on these "off"
nights he sat outside his window or strolled up and down the few feet
of space allotted to him; and they would hear the rustle of the leaves
of books on the other side of the partition, and the smell of his pipe
would be very strong. This indicated that he had come home to rest and
relax himself; on which occasions, prompted by some subtle feminine
impulse, they would now and then indulge themselves with some of their
best music--tacitly agreeing to select the very finest movements from
the works of those best-beloved old masters whose majestic chimes rang
out the dark evening of the eighteenth century and rang in the new age
of art and liberty whose morning light we see--so as not to suggest,
except by extreme comparison, the departed lady who played conventional
rubbish on the instrument that was out of tune. That Paul Brion did not
know Bach and Spohr, even by name and fame (as he did not), never for
a moment occurred to them. How were they to know that the science and
literature of music, in which they had been so well instructed, were
not the usual study of educated people? They heard that he ceased to
walk up and down his enclosure when they began to play and sing, and
they smelt that his pipe was as near their window as it could get until
they left off. That was enough.
Public-domain text, read in full here on John Shaqi.
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