The Three Miss Kings: An Australian StoryCambridge, Ada
History
The Three Miss Kings: An Australian Story
Cambridge, Ada
Australia -- History -- 1788-1900 -- Fiction; Sisters -- Fiction; Young women -- Fiction
To-night, not only she, but all of them, made a stern though unspoken
vow that they would never--that they _could_ never--so much as say
good-night to him on the balcony any more. The lesson that he had
taught them was sinking deeply into their hearts; they would never
forget it again while they lived. They sat at their needlework in the
bright gaslight, with the window open and the venetian blind down, and
listened to the sound of his footstep and the dragging of his chair,
and clearly realised the certainty that it was not because he was too
busy that he had refused to spend the evening with them, but because
he had felt obliged to show them that they had asked him to do a thing
that was improper. Patty's head was bent down over her sewing; her face
was flushed, her eyes restless, her quick fingers moving with nervous
vehemence. Breaking her needle suddenly, she looked up and exclaimed,
"Why are we sitting here so dull and stupid, all silent, like three
scolded children? Play something, Nellie. Put away that horrid skirt,
and play something bright and stirring--a good rousing march, or
something of that sort."
"The Bridal March from 'Lohengrin,'" suggested Elizabeth, softly.
"No," said Patty; "something that will brace us up, and not make us
feel small and humble and sat upon." What she meant was "something that
will make Paul Brion understand that we don't feel small and humble and
sat upon."
Eleanor rose, and laid her long fingers on the keyboard. She was not in
the habit of taking things much to heart herself, and she did not quite
understand her sister's frame of mind. The spirit of mischief prompted
her to choose the saddest thing in the way of a march that she could
recall on the spur of the moment--that funeral march of Beethoven's
that Patty had always said was capable of reducing her to dust and
ashes in her most exuberant moments. She threw the most heartbreaking
expression that art allowed into the stately solemnity of her always
perfectly balanced execution, partly because she could never render
such a theme otherwise than reverently, but chiefly for the playful
purpose of working upon Patty's feelings. Poor Patty had "kept up"
and maintained a superficial command of herself until now, but this
unexpected touch of pathos broke her down completely. She laid her arm
on the table, and her pretty head upon her arm, and broke into a brief
but passionate fit of weeping, such as she had never indulged in in
all her life before. At the sound of the first sob Eleanor jumped up
from the music-stool, contrite and frightened--Elizabeth in another
moment had her darling in her arms; and both sisters were seized with
the fear that Patty was sickening for some illness, caught, probably,
in the vitiated atmosphere of city streets, to which she had never been
accustomed.
Public-domain text, read in full here on John Shaqi.
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