Adventure and adventurers -- Fiction; France -- History -- Louis XIII, 1610-1643 -- Fiction; Historical fiction; Swordsmen -- Fiction
The day on which D’Artagnan presented himself the assemblage was
imposing, particularly for a provincial just arriving from his
province. It is true that this provincial was a Gascon; and that,
particularly at this period, the compatriots of D’Artagnan had the
reputation of not being easily intimidated. When he had once passed the
massive door covered with long square-headed nails, he fell into the
midst of a troop of swordsmen, who crossed one another in their
passage, calling out, quarreling, and playing tricks one with another.
In order to make one’s way amid these turbulent and conflicting waves,
it was necessary to be an officer, a great noble, or a pretty woman.
It was, then, into the midst of this tumult and disorder that our young
man advanced with a beating heart, ranging his long rapier up his lanky
leg, and keeping one hand on the edge of his cap, with that half-smile
of the embarrassed provincial who wishes to put on a good face. When he
had passed one group he began to breathe more freely; but he could not
help observing that they turned round to look at him, and for the first
time in his life D’Artagnan, who had till that day entertained a very
good opinion of himself, felt ridiculous.
Arrived at the staircase, it was still worse. There were four
Musketeers on the bottom steps, amusing themselves with the following
exercise, while ten or twelve of their comrades waited upon the landing
place to take their turn in the sport.
One of them, stationed upon the top stair, naked sword in hand,
prevented, or at least endeavored to prevent, the three others from
ascending.
These three others fenced against him with their agile swords.
D’Artagnan at first took these weapons for foils, and believed them to
be buttoned; but he soon perceived by certain scratches that every
weapon was pointed and sharpened, and that at each of these scratches
not only the spectators, but even the actors themselves, laughed like
so many madmen.
He who at the moment occupied the upper step kept his adversaries
marvelously in check. A circle was formed around them. The conditions
required that at every hit the man touched should quit the game,
yielding his turn for the benefit of the adversary who had hit him. In
five minutes three were slightly wounded, one on the hand, another on
the ear, by the defender of the stair, who himself remained intact—a
piece of skill which was worth to him, according to the rules agreed
upon, three turns of favor.
Public-domain text, read in full here on John Shaqi.
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