The Three Voyages of Captain Cook Round the World. Vol. V. Being the First of the Third VoyageCook, James
History
The Three Voyages of Captain Cook Round the World. Vol. V. Being the First of the Third Voyage
Cook, James
Cook, James, 1728-1779 -- Travel; Explorers -- Great Britain -- Biography; Voyages around the world -- History -- 18th century
Feenou had expressed a desire to see the marines go through their
military exercise. As I was desirous to gratify his curiosity, I ordered
them all ashore from both ships, in the morning of the 20th. After they
had performed various evolutions, and fired several vollies, with which
the numerous body of spectators seemed well pleased, the chief
entertained us in his turn, with an exhibition, which, as was
acknowledged by us all, was performed with a dexterity and exactness far
surpassing the specimen we had given of our military manœuvres. It was a
kind of dance, so entirely different from any thing I had ever seen,
that I fear I can give no description that will convey any tolerable
idea of it to my readers. It was performed by men, and one hundred and
five persons bore their parts in it. Each of them had in his hand an
instrument neatly made, shaped somewhat liked a paddle, of two feet and
a half in length, with a small handle and a thin blade, so that they
were very light. With these instruments they made many and various
flourishes, each of which was accompanied with a different attitude of
the body, or a different movement. At first, the performers ranged
themselves in three lines; and by various evolutions, each man changed
his station in such a manner, that those who had been in the rear came
into the front. Nor did they remain long in the same position, but these
changes were made by pretty quick transitions. At one time they extended
themselves in one line; they then formed into a semicircle; and, lastly,
into two square columns. While this last movement was executing, one of
them advanced, and performed an antic dance before me, with which the
whole ended.
The musical instruments consisted of two drums, or rather two hollow
logs of wood, from which some varied notes were produced, by beating on
them with two sticks. It did not, however, appear to me, that the
dancers were much assisted or directed by these sounds, but by a chorus
of vocal music, in which all the performers joined at the same time.
Their song was not destitute of pleasing melody; and all their
corresponding motions were executed with so much skill, that the
numerous body of dancers seemed to act, as if they were one great
machine. It was the opinion of every one of us, that such a performance
would have met with universal applause on a European theatre; and it so
far exceeded any attempt we had made to entertain them, that they seemed
to picque themselves upon the superiority they had over us. As to our
musical instruments, they held none of them in the least esteem, except
the drum; and even that they did not think equal to their own. Our
French horns in particular, seemed to be held in great contempt; for
neither here, nor at any other of the islands, would they pay the
smallest attention to them.
Public-domain text, read in full here on John Shaqi.
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