The Three Voyages of Captain Cook Round the World. Vol. V. Being the First of the Third VoyageCook, James
History
The Three Voyages of Captain Cook Round the World. Vol. V. Being the First of the Third Voyage
Cook, James
Cook, James, 1728-1779 -- Travel; Explorers -- Great Britain -- Biography; Voyages around the world -- History -- 18th century
In order to give them a more favourable opinion of English amusements,
and to leave their minds fully impressed with the deepest sense of our
superior attainments, I directed some fireworks to be got ready; and,
after it was dark, played them off in the presence of Feenou, the other
chiefs, and a vast concourse of their people. Some of the preparations
we found damaged; but others of them were in excellent order, and
succeeded so perfectly, as to answer the end I had in view. Our water
and sky-rockets, in particular, pleased and astonished them beyond all
conception; and the scale was now turned in our favour.
This, however, seemed only to furnish them with an additional motive to
proceed to fresh exertions of their very singular dexterity; and our
fireworks were no sooner ended, than a succession of dances, which
Feenou had got ready for our entertainment, began. As[180] a prelude to
them, a band of music, or chorus of eighteen men, seated themselves
before us, in the centre of the circle, composed by the numerous
spectators, the area of which was to be the scene of the exhibitions.
Four or five of this band, had pieces of large bamboo, from three to
five or six feet long, each managed by one man, who held it nearly in a
vertical position, the upper end open, but the other end closed by one
of the joints. With this close end, the performers kept constantly
striking the ground, though slowly, thus producing different notes,
according to the different lengths of the instruments, but all of them
of the hollow or base sort; to counteract which, a person kept striking
quickly, and with two sticks, a piece of the same substance, split, and
laid along the ground, and, by that means, furnishing a tone as acute as
those produced by the others were grave. The rest of the band, as well
as those who performed upon the bamboos, sung a slow and soft air, which
so tempted the harsher notes of the above instruments, that no
bye-stander, however accustomed to hear the most perfect and varied
modulation of sweet sounds, could avoid confessing the vast power, and
pleasing effect, of this simple harmony.
Public-domain text, read in full here on John Shaqi.
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