The concert having continued about a quarter of an hour, twenty women entered the circle. Most of them had, upon their heads, garlands of the crimson flowers of the China rose, or others; and many of them had ornamented their persons with leaves of trees, cut with a great deal of nicety about the edges. They made a circle round the chorus, turning their faces toward it, and began by singing a soft air, to which responses were made by the chorus in the same tone; and these were repeated alternately. All this while, the women accompanied their song with several very graceful motions of their hands toward their faces, and in other directions at the same time, making constantly a step forward, and then back again, with one foot, while the other was fixed. They then turned their faces to the assembly, sung some time, and retreated slowly in a body, to that part of the circle which was opposite the hut where the principal spectators sat. After this, one of them advanced from each side, meeting and passing each other in the front, and continuing their progress round, till they came to the rest. On which two advanced from each side, two of whom also passed each other, and returned as the former; but the other two remained, and to these came one from each side, by intervals, till the whole number had again formed a circle about the chorus. Their manner of dancing was now changed to a quicker measure, in which they made a kind of half turn by leaping, and clapped their hands, and snapped their fingers, repeating some words in conjunction with the chorus. Toward the end, as the quickness of the music increased, their gestures and attitudes were varied with wonderful vigour and dexterity; and some of their motions, perhaps, would, with us, be reckoned rather indecent. Though this part of the performance, most probably, was not meant to convey any wanton ideas, but merely to display the astonishing variety of their movements.