Until the transfer of Alaska to the United States, in 1867, by the Russian government, human sacrifices at the foundation of a new house were common in that portion of America. The ceremonies are thus described by one familiar with them: “The rectangular space for the building is ... cleared, a spot for the fireplace designated, and four holes dug, wherein the corner posts are to be set.... A slave, either man or woman who has been captured in war or is even a descendant of such a slave, is blindfolded and compelled to lie down face uppermost, in the place selected for the fireplace [the site of the domestic altar]. A sapling is then cut, laid across the throat of the slave, and, at a given signal, the two nearest relatives of the host sit upon the respective ends of the sapling, thereby choking the unhappy wretch to death. But the corner posts must receive their baptism; so four slaves are blindfolded, and one is forced to stand in each post-hole, when, at a given signal, a blow on the forehead is dealt with a peculiar club ornamented with the host’s coat of arms.” It is said that even to the present time, on the building of a house in Alaska, “the same ceremonies are enacted, with the exception of the sacrifices, which are prevented by the United States authorities.”[137] In Hindoostan, Burmah, Tennasserin, Borneo, Japan, Galam, Yarriba, Polynesia, and elsewhere, there are modern survivals of this foundation-laying in blood.[138] It would seem, indeed, to have been wellnigh universal as a primitive usage. Popular ballads give other indications of such customs, in various lands. “In a song, of which there are several versions, of the building of the bridge of Arta, it is told how the bridge fell down as fast as it was built, until at last the master-builder dreamed a dream that it would only stand if his own wife were buried alive in the foundations. He therefore sends for her, bidding her dress in festival attire, and then finds an excuse to make her descend into the central pile, whereupon they heap the earth over her, and thus the bridge stands fast.”[139] “In another song the same story is told of the Bridge of Tricha, with the difference only that it is a little bird that whispers in the architect’s ear how the pile may be made to stand. A similar superstition connected with the building of the monastery Curtea de Argest, in Wallachia, forms the subject of a fine poem by the Roumanian poet Alexandri.”[140] There is an indication of a like custom among the Vlachs in Turkey, as shown in their folk-poetry. The ballad of the “Monastery of Argis” tells of such an incident, in which the master-builder Manoli plays a part.[141]