The Threshold Covenant; or, The Beginning of Religious Rites — John Shaqi
The Threshold Covenant; or, The Beginning of Religious RitesTrumbull, H. Clay (Henry Clay)
Religion
The Threshold Covenant; or, The Beginning of Religious Rites
Trumbull, H. Clay (Henry Clay)
Covenants -- Religious aspects
In all these facts or legends, blood on the threshold of the building,
in the foundation-stones of the structure, is shown to have been deemed
an essential factor in a covenant with, or in propitiation of, the deity
of the place.
6. APPEALS AT THE ALTAR.
Because the threshold is recognized as an altar, nearness to the altar
is nearness to God, or to the gods worshiped at that altar. Hence
appeals are made and justice is sought at the gate, or at the threshold,
as in the presence of deity.
To present one’s self at the tent doorway, or to lay hold of the
supports, or cords, at the entrance of an Arab’s “house of hair,” is
recognized as an ever-effective appeal for hospitality in the East. Even
an enemy can thus secure the protection of the home sanctuary.[153]
In the excavation of Tell-el-Hesy, in Southwestern Palestine, supposed
to cover the remains of ancient Lachish,[154] Dr. Petrie discovered
various ornamented door-jambs. In one case a simple volute on a pilaster
slab suggested to Dr. Petrie “a ram’s horn nailed up against a wooden
post;” and “he sees in this the origin of the type of the ‘horns of the
altar,’[155] so often mentioned in temple architecture.”[156] If Dr.
Petrie be correct in this thought, the horns of the altar were first of
all at the house doorway, above the threshold altar.
One of the fundamental laws of the Afghans makes it incumbent on a host
to “shelter and protect any one who in extremity may flee to his
threshold, and seek an asylum under his roof.” Property or life must be
sacrificed in his behalf, if need be. “As soon as you have crossed the
threshold of an Afghan you are sacred to him, though you were his deadly
foe, and he will give up his own life to save yours.” A favorite poem of
the Afghan, entitled, “Adam Khan and Durkhani,” tells of a son who
killed his father because that father had betrayed a refugee who sought
the sanctuary of his threshold. And all Afghans honor the memory of that
son.[157]
Among the Arabs of the Syrian desert, when a man would leave his own
tribe and join himself to another, he takes a lamb or a goat with him,
and presents himself at the entrance of the tent of the shaykh of the
tribe he would find a home in. Slaying the animal there, and allowing
its blood to run out on the ground at the threshold of the tent, he
makes his appeal to the shaykh to accept him as a member of his tribe,
or as a son by adoption. And this appeal has peculiar force, as a voice
by blood.[158]
Public-domain text, read in full here on John Shaqi.
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