The Threshold Covenant; or, The Beginning of Religious Rites — John Shaqi
The Threshold Covenant; or, The Beginning of Religious RitesTrumbull, H. Clay (Henry Clay)
Religion
The Threshold Covenant; or, The Beginning of Religious Rites
Trumbull, H. Clay (Henry Clay)
Covenants -- Religious aspects
Is there possibly any connection with this idea in the custom of “the
laying on of hands,” as a symbol of imparting virtue or power to one
newly in covenant relations with those who are God’s representatives, so
frequently referred to in the Bible?[243] This would seem to be
indicated by the power imparted to an Egyptian king by the touch of the
uplifted hand of the deity, as shown in the representations on the
monuments of Egypt. It was known as “the imposition of the Sa,” or
increased vitality.[244]
A remarkable illustration of the use of the red-hand print among
American Indians is given in the story of a famous Omaha chief, who,
when dying, enjoined it upon his followers to carry his body to a
prominent look-out bluff above the Missouri River, and bury him there,
full armed, on the back of his favorite war-horse, who was to be buried
alive, that he might watch from that place the passing of the whites up
and down the river. It would seem as if he wanted to be known as dying
in the faith of his covenant relations with the Great Spirit, for
himself and for his people.
Because of this request, in the presence of his assembled tribe “he was
placed astride his horse’s back, with his bow in his hand, and his
shield and quiver slung; with his pipe and his medicine bag; with his
supply of dried meat, and his tobacco pouch replenished; ... with his
flint and steel, and his tinder, to light his pipe by the way. The
scalps that he had taken ... were hung to the bridle of his horse. He
was in full dress and equipped; and on his head waved ... his beautiful
head-dress of the war-eagle’s plumes.” As he stood thus on the threshold
of the life beyond, when the last funeral honors were performed by the
medicine-men, “every warrior of his band painted the palm and fingers of
his right hand with vermilion, which was stamped and perfectly impressed
on the milk-white sides of his devoted horse,”–as if in covenant pledge
of fidelity to their chief in the sight of the Great Spirit.[245]
There is another phase of the red-hand symbolism among the American
Indians, which has been noted by Frank H. Cushing, who is so experienced
and careful an observer of their customs and ceremonies. This phase
connects the symbol directly with the idea of life and its transmission.
Mr. Cushing says:[246]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account