The Threshold Covenant; or, The Beginning of Religious RitesTrumbull, H. Clay (Henry Clay)
Religion
The Threshold Covenant; or, The Beginning of Religious Rites
Trumbull, H. Clay (Henry Clay)
Covenants -- Religious aspects
“The ceremonial in question was performed by four medicine-men, or
priests, as one might call them, within and around a rectangular
enclosure of evergreen boughs set in the plain near to the village.
Inside of this enclosure, which was designed to screen from view the
more secret operations of the priest dancers in question, stood a little
conical skin lodge, the snow-white top of which appeared above the
screen of evergreen, and within which the young girl, over whom these
rites were being enacted, was ensconced, together with one or two old
women of the tribe. As I have said before, each of the priests, on
appearing (and this they did successively; that is, the first on the
first day, the second on the second day, and so on), wore a conical mask
or helmet, which entirely concealed, not only the face, but also the
head. This mask was painted black or red, and upon the face of it
appeared one of these hand symbols. Unfortunately, I did not see the
mask as worn by the first priest, but, as worn by the second priest on
the morning of the second day, it bore upon its face the symbol of the
red hand; and as worn upon the third day, this symbol recurred, but, if
I remember aright, was surrounded by an outline of another color, either
black or yellow, whilst the hand painted on the mask as worn on the
fourth day was black surrounded by white, that it might stand out more
conspicuously; and in turn, below it, were two or more dots alternating
with dotted circles.
“My means of communicating with these people were but limited, but on
learning that the ceremonials they were performing were designed to
celebrate the attainment to maturity, or womanhood, of a virgin, I had
little difficulty in understanding the significance of the succession of
these various hand symbols. I recognized in the ceremonial as a whole
the dramatic epitomization, to state it briefly, of the four ages of a
woman’s life. Thus the white hand (which I was told had been painted on
the mask of the first day) symbolized her infancy and girlhood, the
consummation of which was effected by the first day’s ceremonial
performed by the medicine-man of the white hand.
Public-domain text, read in full here on John Shaqi.
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