The Thunders of SilenceCobb, Irvin S. (Irvin Shrewsbury)
General
The Thunders of Silence
Cobb, Irvin S. (Irvin Shrewsbury)
Political fiction
On the night of the eighteenth of February, at about half past eleven
o'clock, Marshal Waggoner was completing his regular before-midnight
round of the business district. The weather was nasty, with a raw wet
wind blowing and half-melted slush underfoot. In his tour he had
encountered not a single person. That dead dumb quiet which falls upon
a sleeping town on a winter's night was all about him. But as he
turned out of Main Street, which is the principal thoroughfare, into
Sycamore Street, a short byway running down between scattered
buildings and vacant lots to the river bank a short block away, he saw
a man standing at the side door of the Eagle House, the town's
second-best hotel. A gas lamp flaring raggedly above the doorway
brought out the figure with distinctness. The man was not moving--he
was just standing there, with the collar of a heavy overcoat turned up
about his throat and a soft black hat with a wide brim drawn well down
upon his head.
Drawing nearer, Waggoner, who by name or by sight knew every resident
of the town, made up his mind that the loiterer was a stranger. Now a
stranger abroad at such an hour and apparently with no business to
mind would at once be mentally catalogued by the vigilant night
marshal as a suspicious person. So when he had come close up to the
other, padding noiselessly in his heavy rubber boots, the officer
halted and from a distance of six feet or so stared steadfastly at the
suspect. The suspect returned the look.
What Waggoner saw was a thin, haggard face covered to the upper bulge
of the jaw-bones with a disfiguring growth of reddish whiskers and
inclosed at the temples by shaggy, unkempt strands of red hair which
protruded from beneath the black hat. Evidently the man had not been
shaved for weeks; certainly his hair needed trimming and combing. But
what at the moment impressed Waggoner more even than the general
unkemptness of the stranger's aspect was the look out of his eyes.
They were widespread eyes and bloodshot as though from lack of sleep,
and they glared into Waggoner's with a peculiar, strained, hearkening
expression. There was agony in them--misery unutterable.
Thrusting his head forward then, the stranger cried out, and his
voice, which in his first words was deep and musical, suddenly, before
he had uttered a full sentence, turned to a sharp, half-hysterical
falsetto:
"Why don't you say something to me, man?" he cried at the startled
Waggoner. "For God's sake, why don't you speak to me? Even if you do
know me, why don't you speak? Why don't you call me by my name? I
can't stand it--I can't stand it any longer, I tell you. You've got to
speak."
Astounded, Waggoner strove to answer. But, because he was startled and
a bit apprehensive as well, his throat locked down on his faulty vocal
cords. His face moved and his lips twisted convulsively, but no sound
issued from his mouth.
Public-domain text, read in full here on John Shaqi.
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