Every so often Doug wondered where they got that solid healthy look,
and if either of them would ever faintly resemble the Cassius after
whom even Carl thought he should have been named. The red hair of
course was Dorothy's. The blue eyes were Dorothy's. Even the brains
were, he sometimes suspected, all Dorothy's. But the dormant challenge
that grew, not yet quite fully awakened, somewhere behind the freckled,
ten-year-old faces--that, if it matured well, would be his.
"If," Doug said then, "you three will let a hungry man eat his supper,
he'll let you in on a little surprise before hand. That is, if
anybody's interested--"
"Tell us!"
"Is it, Doug?"
"Your brilliant father has exactly three connections to solder on the
Contraption, and then--well, after supper, we'll all see together." He
laughed. Terry and Mike hooted. Dorothy looked a little worried, and
told the boys to wash up.
* * * * *
It covered half the ten-foot workbench, its large screen a huge,
lens-like square eye as it glinted beneath the glare of the
cold-cathode lights that lined the ceiling of the laboratory-like
cellar.
Doug put the cooling soldering-iron back in its place. Dorothy had her
Christmas camera mounted on a tripod a few feet back, "Just in case,"
she said, "it does something before it blows up."
Terry and Mike were silent, eyes wide, not quite behind their mother.
"We shall now," Doug said, "see if we can get a look at Hopalong
Cassidy the way he looked when I was a boy. Better yet, maybe Jack
Benny when he was 39 ... and Valentino...."
He closed the switch, and the cathode lights flickered, went out. There
was a humming sound that seemed to come from all sides of the cellar
rather than from the Contraption, and the bluish glow emanated from the
square convex eye. Directly before it, they watched.
The light shimmered, gave the illusion that the Contraption itself was
shimmering, fading. The work bench became indistinct.
"Doug--"
And then the workbench and the Contraption were gone, the overhead
cathode tubes were gone, and daylight was filtering through a cellar
window that had moved about four feet along the wall--which was now
made of glass brick instead of concrete.
Doug and his wife stood rooted. Terry and Mike were gone, too.
CHAPTER II
She was clad in superbly tailored cream-colored slacks of a material
that was glass-like in sheen, an equally well-fitted blouse of forest
green hardly a shadow less than opaque, and sandals of a soft, flexible
texture slightly raised at the heel. The wide cummerbund of silken
flame that circled her slender waist was her only ornamentation.
Doug's pastel shirt felt like a feather; it lay open at the throat and
clung comfortably about his chest and shoulders, then tapered leisurely
to his waist. The trousers were of the same weight and of a darker hue
somewhere between the blue of midnight and cobalt; the sandals were
like hers.
Public-domain text, read in full here on John Shaqi.
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