Dystopias -- Fiction; Science fiction; Time travel -- Fiction
“Suddenly Weena came very close to my side. So suddenly that she
startled me. Had it not been for her I do not think I should have
noticed that the floor of the gallery sloped at all. [Footnote: It may
be, of course, that the floor did not slope, but that the museum was
built into the side of a hill.—ED.] The end I had come in at was quite
above ground, and was lit by rare slit-like windows. As you went down
the length, the ground came up against these windows, until at last
there was a pit like the ‘area‘ of a London house before each, and only
a narrow line of daylight at the top. I went slowly along, puzzling
about the machines, and had been too intent upon them to notice the
gradual diminution of the light, until Weena’s increasing apprehensions
drew my attention. Then I saw that the gallery ran down at last into a
thick darkness. I hesitated, and then, as I looked round me, I saw that
the dust was less abundant and its surface less even. Further away
towards the dimness, it appeared to be broken by a number of small
narrow footprints. My sense of the immediate presence of the Morlocks
revived at that. I felt that I was wasting my time in this academic
examination of machinery. I called to mind that it was already far
advanced in the afternoon, and that I had still no weapon, no refuge,
and no means of making a fire. And then down in the remote blackness of
the gallery I heard a peculiar pattering, and the same odd noises I had
heard down the well.
“I took Weena’s hand. Then, struck with a sudden idea, I left her and
turned to a machine from which projected a lever not unlike those in a
signal-box. Clambering upon the stand, and grasping this lever in my
hands, I put all my weight upon it sideways. Suddenly Weena, deserted
in the central aisle, began to whimper. I had judged the strength of
the lever pretty correctly, for it snapped after a minute’s strain, and
I rejoined her with a mace in my hand more than sufficient, I judged,
for any Morlock skull I might encounter. And I longed very much to kill
a Morlock or so. Very inhuman, you may think, to want to go killing
one’s own descendants! But it was impossible, somehow, to feel any
humanity in the things. Only my disinclination to leave Weena, and a
persuasion that if I began to slake my thirst for murder my Time
Machine might suffer, restrained me from going straight down the
gallery and killing the brutes I heard.
Public-domain text, read in full here on John Shaqi.
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