The Tinker's WeddingSynge, J. M. (John Millington)
Philosophy
The Tinker's Wedding
Synge, J. M. (John Millington)
Ireland -- Drama
SARAH
_sitting down beside him and throwing sticks on the fire._—If it’s the
divil’s job, let you mind it, and leave your speeches that would choke
a fool.
MICHAEL
_slowly and glumly._—And it’s you’ll go talking of fools, Sarah Casey,
when no man did ever hear a lying story even of your like unto this
mortal day. You to be going beside me a great while, and rearing a lot
of them, and then to be setting off with your talk of getting married,
and your driving me to it, and I not asking it at all.
[_Sarah turns her back to him and arranges something in the ditch._
MICHAEL
_angrily._—Can’t you speak a word when I’m asking what is it ails you
since the moon did change?
SARAH
_musingly._—I’m thinking there isn’t anything ails me, Michael Byrne;
but the spring-time is a queer time, and it’s queer thoughts maybe I do
think at whiles.
MICHAEL
It’s hard set you’d be to think queerer than welcome, Sarah Casey; but
what will you gain dragging me to the priest this night, I’m saying,
when it’s new thoughts you’ll be thinking at the dawn of day?
SARAH
_teasingly._—It’s at the dawn of day I do be thinking I’d have a right
to be going off to the rich tinkers do be travelling from Tibradden to
the Tara Hill; for it’d be a fine life to be driving with young
Jaunting Jim, where there wouldn’t be any big hills to break the back
of you, with walking up and walking down.
MICHAEL
_with dismay._—It’s the like of that you do be thinking!
SARAH
The like of that, Michael Byrne, when there is a bit of sun in it, and
a kind air, and a great smell coming from the thorn-trees is above your
head.
MICHAEL
_looks at her for a moment with horror, and then hands her the
ring._—Will that fit you now?
SARAH
_trying it on._—It’s making it tight you are, and the edges sharp on
the tin.
MICHAEL
_looking at it carefully._—It’s the fat of your own finger, Sarah
Casey; and isn’t it a mad thing I’m saying again that you’d be asking
marriage of me, or making a talk of going away from me, and you
thriving and getting your good health by the grace of the Almighty God?
SARAH
_giving it back to him._—Fix it now, and it’ll do, if you’re wary you
don’t squeeze it again.
MICHAEL
_moodily, working again._—It’s easy saying be wary; there’s many things
easy said, Sarah Casey, you’d wonder a fool even would be saying at
all. _(He starts violently.)_ The divil mend you, I’m scalded again!
SARAH
_scornfully._—If you are, it’s a clumsy man you are this night, Michael
Byrne _(raising her voice)_; and let you make haste now, or herself
will be coming with the porter.
MICHAEL
_defiantly, raising his voice._—Let me make haste? I’ll be making haste
maybe to hit you a great clout; for I’m thinking on the day I got you
above at Rathvanna, and the way you began crying out and saying, “I’ll
go back to my ma,” and I’m thinking on the way I came behind you that
time, and hit you a great clout in the lug, and how quiet and easy it
was you came along with me from that hour to this present day.
Public-domain text, read in full here on John Shaqi.
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