The hairdresser hesitated for just one moment. He had meant to leave her
there and go back for his ring; but the waltz they were playing was a
very enticing one. Ada was looking uncommonly pretty just then; he could
get the ring equally well a few minutes later.
"I should take it very kind of you," he said, gratefully, at length.
"Ask for it, then," said Ada; and he did ask for it.
He forgot Matilda and his engagement for the moment; he sacrificed all
his scruples about dancing in public; but he somehow failed to enjoy
this pleasure, illicit though it was.
For one thing, he could not long keep Matilda out of his thoughts. He
was doing nothing positively wrong; still, it was undeniable that she
would not approve of his being there at all, still less if she knew
that the gold ring given to him by his aunt for the purposes of his
betrothal had been left on the finger of a foreign statue, and exposed
to the mercy of any passer-by, while he waltzed with a bonnet-maker's
assistant.
And his conscience was awakened still further by the discovery that Ada
was a somewhat disappointing partner. "She's not so light as she used to
be," he thought, "and then she jumps. I'd forgotten she jumped."
Before the waltz was nearly over he led her back to a chair, alleging as
his excuse that he was afraid to abandon his ring any longer, and
hastened away to the spot where it was to be found.
He went along the same path, and soon came to an enclosure; but no
sooner had he entered it than he saw that he must have mistaken his way;
this was not the right place. There was no statue in the middle.
He was about to turn away, when he saw something that made him start; it
was a low pedestal in the centre, with the same characters upon it that
he had read with Ada. It was the place, after all; yes, he could not be
mistaken; he knew it now.
Where was the statue which had so lately occupied that pedestal? Had it
fallen over amongst the bushes? He felt about for it in vain. It must
have been removed for some purpose while he had been dancing; but by
whom, and why?
The best way to find out would be to ask some one in authority. The
manager was in the Baronial Hall, officiating as M.C.; he would go and
inquire whether the removal had been by his orders.
He was fortunate enough to catch him as he was coming out of the hall,
and he seized him by the arm with nervous haste. "Mister," he began,
"if you've found one of your plaster figures with a gold ring on, it's
mine. I--I put it on in a joking kind of way, and I had to leave it for
awhile; and now, when I come back for it, it's gone!"
"I'm sorry to hear it, sir," returned the manager; "but really, if you
will leave gold rings on our statues, we can't be responsible, you
know."
"But you'll excuse me," pursued Leander; "I don't think you quite
understood me. It isn't only the ring that's gone--it's the statue; and
if you've had it put up anywhere else----"
Public-domain text, read in full here on John Shaqi.
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