Capitalists and financiers -- Fiction; Chicago (Ill.) -- Fiction; Psychological fiction
“So I’ve heard,” commented Cowperwood. “Wasn’t he the one that was
mixed up in that Carmen Torriba case here a few years ago?” Cowperwood
was referring to the matter of a Spanish dancer traveling in America
with whom Lynde had been apparently desperately in love.
“Oh yes,” replied Aileen, maliciously; “but that oughtn’t to make any
difference to you. He’s charming, anyhow. I like him.”
“I didn’t say it did, did I? You don’t object to my mentioning a mere
incident?”
“Oh, I know about the incident,” replied Aileen, jestingly. “I know
you.”
“What do you mean by that?” he asked, studying her face.
“Oh, I know you,” she replied, sweetly and yet defensively. “You think
I’ll stay here and be content while you run about with other women—play
the sweet and loving wife? Well, I won’t. I know why you say this about
Lynde. It’s to keep me from being interested in him, possibly. Well, I
will be if I want to. I told you I would be, and I will. You can do
what you please about that. You don’t want me, so why should you be
disturbed as to whether other men are interested in me or not?”
The truth was that Cowperwood was not clearly thinking of any probable
relation between Lynde and Aileen any more than he was in connection
with her and any other man, and yet in a remote way he was sensing some
one. It was this that Aileen felt in him, and that brought forth her
seemingly uncalled-for comment. Cowperwood, under the circumstances,
attempted to be as suave as possible, having caught the implication
clearly.
“Aileen,” he cooed, “how you talk! Why do you say that? You know I care
for you. I can’t prevent anything you want to do, and I’m sure you know
I don’t want to. It’s you that I want to see satisfied. You know that I
care.”
“Yes, I know how you care,” replied Aileen, her mood changing for the
moment. “Don’t start that old stuff, please. I’m sick of it. I know how
you’re running around. I know about Mrs. Hand. Even the newspapers make
that plain. You’ve been home just one evening in the last eight days,
long enough for me to get more than a glimpse of you. Don’t talk to me.
Don’t try to bill and coo. I’ve always known. Don’t think I don’t know
who your latest flame is. But don’t begin to whine, and don’t quarrel
with me if I go about and get interested in other men, as I certainly
will. It will be all your fault if I do, and you know it. Don’t begin
and complain. It won’t do you any good. I’m not going to sit here and
be made a fool of. I’ve told you that over and over. You don’t believe
it, but I’m not. I told you that I’d find some one one of these days,
and I will. As a matter of fact, I have already.”
Public-domain text, read in full here on John Shaqi.
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