Capitalists and financiers -- Fiction; Chicago (Ill.) -- Fiction; Psychological fiction
At this remark Cowperwood surveyed her coolly, critically, and yet not
unsympathetically; but she swung out of the room with a defiant air
before anything could be said, and went down to the music-room, from
whence a few moments later there rolled up to him from the hall below
the strains of the second Hungarian Rhapsodie, feelingly and for once
movingly played. Into it Aileen put some of her own wild woe and
misery. Cowperwood hated the thought for the moment that some one as
smug as Lynde—so good-looking, so suave a society rake—should interest
Aileen; but if it must be, it must be. He could have no honest reason
for complaint. At the same time a breath of real sorrow for the days
that had gone swept over him. He remembered her in Philadelphia in her
red cape as a school-girl—in his father’s house—out horseback-riding,
driving. What a splendid, loving girl she had been—such a sweet fool of
love. Could she really have decided not to worry about him any more?
Could it be possible that she might find some one else who would be
interested in her, and in whom she would take a keen interest? It was
an odd thought for him.
He watched her as she came into the dining-room later, arrayed in green
silk of the shade of copper patina, her hair done in a high coil—and in
spite of himself he could not help admiring her. She looked very young
in her soul, and yet moody—loving (for some one), eager, and defiant.
He reflected for a moment what terrible things passion and love are—how
they make fools of us all. “All of us are in the grip of a great
creative impulse,” he said to himself. He talked of other things for a
while—the approaching election, a poster-wagon he had seen bearing the
question, “Shall Cowperwood own the city?” “Pretty cheap politics, I
call that,” he commented. And then he told of stopping in a so-called
Republican wigwam at State and Sixteenth streets—a great, cheaply
erected, unpainted wooden shack with seats, and of hearing himself
bitterly denounced by the reigning orator. “I was tempted once to ask
that donkey a few questions,” he added, “but I decided I wouldn’t.”
Aileen had to smile. In spite of all his faults he was such a wonderful
man—to set a city thus by the ears. “Yet, what care I how fair he be,
if he be not fair to me.”
“Did you meet any one else besides Lynde you liked?” he finally asked,
archly, seeking to gather further data without stirring up too much
feeling.
Aileen, who had been studying him, feeling sure the subject would come
up again, replied: “No, I haven’t; but I don’t need to. One is enough.”
“What do you mean by that?” he asked, gently.
“Oh, just what I say. One will do.”
“You mean you are in love with Lynde?”
Public-domain text, read in full here on John Shaqi.
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