Capitalists and financiers -- Fiction; Chicago (Ill.) -- Fiction; Psychological fiction
Aileen glowed, but with scarcely a smile. She was concerned. It wasn’t
so much her toilet, which must be everything that it should be—but this
Mr. Addison, who was so rich and in society, and Mr. Rambaud, who was
very powerful, Frank said, must like her. It was the necessity to put
her best foot forward now that was really troubling her. She must
interest these men mentally, perhaps, as well as physically, and with
social graces, and that was not so easy. For all her money and comfort
in Philadelphia she had never been in society in its best aspects, had
never done social entertaining of any real importance. Frank was the
most important man who had ever crossed her path. No doubt Mr. Rambaud
had a severe, old-fashioned wife. How would she talk to her? And Mrs.
Addison! She would know and see everything. Aileen almost talked out
loud to herself in a consoling way as she dressed, so strenuous were
her thoughts; but she went on, adding the last touches to her physical
graces.
When she finally went down-stairs to see how the dining and reception
rooms looked, and Fadette began putting away the welter of discarded
garments—she was a radiant vision—a splendid greenish-gold figure, with
gorgeous hair, smooth, soft, shapely ivory arms, a splendid neck and
bust, and a swelling form. She felt beautiful, and yet she was a little
nervous—truly. Frank himself would be critical. She went about looking
into the dining-room, which, by the caterer’s art, had been transformed
into a kind of jewel-box glowing with flowers, silver, gold, tinted
glass, and the snowy whiteness of linen. It reminded her of an opal
flashing all its soft fires. She went into the general reception-room,
where was a grand piano finished in pink and gold, upon which, with due
thought to her one accomplishment—her playing—she had arranged the
songs and instrumental pieces she did best. Aileen was really not a
brilliant musician. For the first time in her life she felt matronly—as
if now she were not a girl any more, but a woman grown, with some
serious responsibilities, and yet she was not really suited to the
role. As a matter of fact, her thoughts were always fixed on the
artistic, social, and dramatic aspects of life, with unfortunately a
kind of nebulosity of conception which permitted no condensation into
anything definite or concrete. She could only be wildly and feverishly
interested. Just then the door clicked to Frank’s key—it was nearing
six—and in he came, smiling, confident, a perfect atmosphere of
assurance.
“Well!” he observed, surveying her in the soft glow of the
reception-room lighted by wall candles judiciously arranged. “Who’s the
vision floating around here? I’m almost afraid to touch you. Much
powder on those arms?”
He drew her into his arms, and she put up her mouth with a sense of
relief. Obviously, he must think that she looked charming.
“I am chalky, I guess. You’ll just have to stand it, though. You’re
going to dress, anyhow.”
Public-domain text, read in full here on John Shaqi.
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