Capitalists and financiers -- Fiction; Chicago (Ill.) -- Fiction; Psychological fiction
This day began with a flurry of uncertainty and worried anticipation on
the part of Aileen. At Cowperwood’s suggestion she had employed a
social secretary, a poor hack of a girl, who had sent out all the
letters, tabulated the replies, run errands, and advised on one detail
and another. Fadette, her French maid, was in the throes of preparing
for two toilets which would have to be made this day, one by two
o’clock at least, another between six and eight. Her “_mon dieus_” and
“_par bleus_” could be heard continuously as she hunted for some
article of dress or polished an ornament, buckle, or pin. The struggle
of Aileen to be perfect was, as usual, severe. Her meditations, as to
the most becoming gown to wear were trying. Her portrait was on the
east wall in the art-gallery, a spur to emulation; she felt as though
all society were about to judge her. Theresa Donovan, the local
dressmaker, had given some advice; but Aileen decided on a heavy brown
velvet constructed by Worth, of Paris—a thing of varying aspects,
showing her neck and arms to perfection, and composing charmingly with
her flesh and hair. She tried amethyst ear-rings and changed to topaz;
she stockinged her legs in brown silk, and her feet were shod in brown
slippers with red enamel buttons.
The trouble with Aileen was that she never did these things with that
ease which is a sure sign of the socially efficient. She never quite so
much dominated a situation as she permitted it to dominate her. Only
the superior ease and graciousness of Cowperwood carried her through at
times; but that always did. When he was near she felt quite the great
lady, suited to any realm. When she was alone her courage, great as it
was, often trembled in the balance. Her dangerous past was never quite
out of her mind.
At four Kent McKibben, smug in his afternoon frock, his quick,
receptive eyes approving only partially of all this show and effort,
took his place in the general reception-room, talking to Taylor Lord,
who had completed his last observation and was leaving to return later
in the evening. If these two had been closer friends, quite intimate,
they would have discussed the Cowperwoods’ social prospects; but as it
was, they confined themselves to dull conventionalities. At this moment
Aileen came down-stairs for a moment, radiant. Kent McKibben thought he
had never seen her look more beautiful. After all, contrasted with some
of the stuffy creatures who moved about in society, shrewd, hard, bony,
calculating, trading on their assured position, she was admirable. It
was a pity she did not have more poise; she ought to be a little
harder—not quite so genial. Still, with Cowperwood at her side, she
might go far.
“Really, Mrs. Cowperwood,” he said, “it is all most charming. I was
just telling Mr. Lord here that I consider the house a triumph.”
From McKibben, who was in society, and with Lord, another “in” standing
by, this was like wine to Aileen. She beamed joyously.
Public-domain text, read in full here on John Shaqi.
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