No other class of men employing so much capital and so many labourers are so simple in their habits as the agriculturists. In dress they adhere to the plainest colours and shapes; there is no attempt to keep pace with the fashion. The materials of the coat and vest are good, and even expensive, but the cut is old and out of date, and the whole effect quite plain. There is no shirt front, no studs, no rings, no kid gloves. The boots are strong and thick, substantial, but not ornamental. A man with his ten or fifteen thousand perhaps will walk down the street buttoned up in an ungainly greatcoat and an old hat, not half so smartly dressed as a well-paid mechanic, and far behind the drapers' assistants in style. There is a species of contempt among them for the meretricious and showy; they believe in the solid. This very fact makes them good friends to shopkeepers, who have no better customers. They carry this leading idea too far, for they admire an article in precisely a corresponding ratio to the money it costs, totally oblivious of all considerations of art or ornament. The first question invariably is, if they are asked to admire anything, "What did it cost?" This results in a heavy and cumbrous style of furniture even in the best farmsteads. Everything must be massive, costly, and strong. Artistic tendencies they have none. They want something durable, and they get it. But on the whole they make marvellously little show for their money. Hundreds of the most substantial agriculturists, whose cheques would be honoured for thousands of pounds, seem absolutely to make no show at all. At the same time it is quite true that some of the rising generation, who have very little to do it on, make a great display with hunters and plated harness, and so forth. But they are not the rule. The generality go just the other way, and live below their income, and take a lower station in society than they might reasonably claim.