First loves -- Fiction; Man-woman relationships -- Fiction; Russian fiction -- Translations into English
“If one’s an artist, and especially a singer,” she declared with a
vigorous downward sweep of her hand, “one’s got to be first-rate!
Second-rate’s worse than nothing; and who can tell if one will arrive
at being first-rate?” Pantaleone, who took part too in the
conversation—(as an old servant and an old man he had the privilege of
sitting down in the presence of the ladies of the house; Italians are
not, as a rule, strict in matters of etiquette)—Pantaleone, as a matter
of course, stood like a rock for art. To tell the truth, his arguments
were somewhat feeble; he kept expatiating for the most part on the
necessity, before all things, of possessing “_un certo estro
d’inspirazione_”—a certain force of inspiration! Frau Lenore remarked
to him that he had, to be sure, possessed such an “_estro_”—and yet …
“I had enemies,” Pantaleone observed gloomily. “And how do you know
that Emil will not have enemies, even if this “_estro_” is found in
him?” “Very well, make a tradesman of him, then,” retorted Pantaleone
in vexation; “but Giovan’ Battista would never have done it, though he
was a confectioner himself!” “Giovan’ Battista, my husband, was a
reasonable man, and even though he was in his youth led away …” But the
old man would hear nothing more, and walked away, repeating
reproachfully, “Ah! Giovan’ Battista!…” Gemma exclaimed that if Emil
felt like a patriot, and wanted to devote all his powers to the
liberation of Italy, then, of course, for such a high and holy cause he
might sacrifice the security of the future—but not for the theatre!
Thereupon Frau Lenore became much agitated, and began to implore her
daughter to refrain at least from turning her brother’s head, and to
content herself with being such a desperate republican herself! Frau
Lenore groaned as she uttered these words, and began complaining of her
head, which was “ready to split.” (Frau Lenore, in deference to their
guest, talked to her daughter in French.)
Gemma began at once to wait upon her; she moistened her forehead with
eau-de-Cologne, gently blew on it, gently kissed her cheek, made her
lay her head on a pillow, forbade her to speak, and kissed her again.
Then, turning to Sanin, she began telling him in a half-joking,
half-tender tone what a splendid mother she had, and what a beauty she
had been. “‘Had been,’ did I say? she is charming now! Look, look, what
eyes!”
Public-domain text, read in full here on John Shaqi.
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