And here he continued faithful to his old troubadour instincts, and was
constantly occupied in writing lyrics, chiefly on his lost love and
his absent wife, some in French, some in English, in which he became
proficient. There is in the British Museum a manuscript volume of his
poems, beautifully illuminated, with the arms of Henry VII and Prince
Arthur introduced into the borders. It contains our frontispiece, the
oldest picture of the Tower of London which is known to exist. In the
background is London Bridge with the City behind it, in front Traitors’
Gate, though the name had not yet been given. There is the Prince
seated in the now demolished banqueting hall, writing his verses. He
is seen again looking out of window, evidently hoping for freedom, and
again we see him below embracing the messenger who brings his ransom.
Next we behold him riding away, a freed man; and in the distance he is
seen finally seated in the boat, which is being pulled off to the ship
which shall carry him back to France.
That deliverance did not come until 1440. Henry V had been dead
eighteen years, his widow Catherine, had married Owun Tudor and his
conquests in France were now nearly all lost, thanks to the Maid of
Orleans and to Charles’s natural brother, John of Dunois. Every year
Charles’s life had become more precious to France, as the children of
Charles VI dropped one by one into the grave. The Duke of Burgundy paid
the enormous ransom, and Charles returned to find his wife Bona dead,
and his daughter a woman of thirty. Reasons of State caused him to
marry again, his third consort being Mary of Cleves. By her he had a
son, who afterwards became King Louis XII.
Public-domain text, read in full here on John Shaqi.
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