The Tower of London: A Historical Romance, IllustratedAinsworth, William Harrison
General
The Tower of London: A Historical Romance, Illustrated
Ainsworth, William Harrison
Grey, Jane, Lady, 1537-1554 -- Fiction; London (England) -- Fiction; Tower of London (London, England) -- Fiction
Seated beneath a canopy of state, supported by the richest silken
cushions, and with her tiny feet resting upon a velvet footstool,
adorned with her cipher and that of her husband interwoven with
love-knots, Jane proceeded along the river; her heart oppressed with
fears and forebodings, to which she gave no utterance, but which the
storm now raging around with frightful violence was not calculated to
allay. The thunder was awfully loud; the lightning almost insupportably
vivid; but fortunately for those exposed to the tempest, it was
unattended with rain. Lord Guilford Dudley was unremitting in his
assiduity to his lovely consort, and bitterly reproached himself for
allowing her to set forth at such a season. As they approached that part
of the river from which the noble old gothic cathedral of St. Paul’s—one
of the finest structures in the world, and destroyed, it is almost
needless to say, by the Fire of London, when it was succeeded by the
present pile—was best seen, Jane drew aside the curtains of her barge,
and gazed with the utmost admiration upon the magnificent fane. The
storm seemed to hang over its square and massive tower, and flashes
of forked lightning of dazzling brightness appeared to shoot down each
instant upon the body of the edifice.
“Like me, it is threatened,” Jane mentally ejaculated; “and perhaps
the blow that strikes me may strike also the religion of my country.
Whatever betide me, Heaven grant that that noble pile may never again be
polluted by the superstitious ceremonies and idolatries of Rome!”
Viewed from the Thames, London, even in our own time, presents many
picturesque and beautiful points; but at the period to which this
chronicle refers, it must have presented a thousand more. Then, gardens
and stately palaces adorned its banks; then, the spires and towers of
the churches shot into an atmosphere unpolluted by smoke; then,
the houses, with their fanciful gables, and vanes, and tall twisted
chimneys, invited and enchained the eye; then, the streets, of which a
passing glimpse could be caught, were narrow and intricate: then, there
was the sombre, dungeon-like strong-hold already alluded to, called
Baynard’s Castle; the ancient tavern of the Three Cranes; the
Still-yard; and above all, the Bridge, even then old, with its gateways,
towers, drawbridges, houses, mills, and chapel,-enshrined like a hidden
and cherished faith within its inmost heart. All this has passed away.
But if we have no old St. Paul’s, no old London Bridge, no quaint and
picturesque old fabrics, no old and frowning castles, no old taverns,
no old wharfs—if we have none of these, we have still the Tower; and
to that grand relic of antiquity, well worth all the rest, we shall,
without further delay, proceed.
Public-domain text, read in full here on John Shaqi.
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