The Tower of London: A Historical Romance, Illustrated — John Shaqi
The Tower of London: A Historical Romance, IllustratedAinsworth, William Harrison
General
The Tower of London: A Historical Romance, Illustrated
Ainsworth, William Harrison
Grey, Jane, Lady, 1537-1554 -- Fiction; London (England) -- Fiction; Tower of London (London, England) -- Fiction
XXXVII.—-HOW JANE WAS IMPRISONED IN THE MARTIN TOWER; HOW SHE WAS
VISITED BY ROGER ASCHAM; HOW SHE RECEIVED FECKENHAM’S ANNOUNCEMENT THAT
THE TIME OF HER EXECUTION WAS FIXED; AND HOW SHE WAS RESPITED FOR THREE
DAYS.
XXXVIII.—HOW THE PRINCESS ELIZABETH AND COURTENAY WERE DELIVERED OUT OF
THE TOWER TO FURTHER DURANCE; AND HOW QUEEN MARY WAS WEDDED, BY PROXY,
TO PHILIP OF SPAIN.
XXXIX.—OF THE WEDDING OF SIR NARCISSUS LE GRAND WITH JANE THE FOOL,
AND WHAT HAPPENED AT IT; AND OF THE ENTERTAINMENT GIVEN BY HIM, ON THE
OCCASION, TO HIS OLD FRIENDS AT THE STONE KITCHEN.
XL.—OF THE VISION SEEN BY MAUGER AND SORROCOLD ON THE TOWER GREEN.
XLI.—OF THE UNION OF CHOLMONDELEY WITH ANGELA.
XLII.—THE EXECUTION OF LADY JANE GREY.
PREFACE.
It has been, for years, the cherished wish of the writer of the
following pages, to make the Tower of London—the proudest monument of
antiquity, considered with reference to its historical associations,
which this country or any other possesses,—the groundwork of a Romance;
and it was no slight satisfaction to him, that circumstances, at length,
enabled him to carry into effect his favourite project, in conjunction
with the inimitable Artist, whose designs accompany the work.
Desirous of exhibiting the Tower in its triple light of a palace, a
prison, and a fortress, the Author has shaped his story with reference
to that end; and he has also endeavoured to contrive such a series of
incidents as should naturally introduce every relic of the old pile,—its
towers, chapels, halls, chambers, gateways, arches, and drawbridges—so
that no part of it should remain un-illustrated.
How far this design has been accomplished—what interest has been given
to particular buildings—and what mouldering walls have been informed
with life—is now to be determined:—unless, indeed, it may be considered
determined by the numbers who have visited the different buildings,
as they have been successively depicted by pen and pencil, during the
periodical appearance of the work.
Public-domain text, read in full here on John Shaqi.
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