Another day, this time in the afternoon, we pulled in a skiff a mile or
two down the Rance, where men were fishing with the "balance"--the net
on the crossed bough-like arms that made a dripping bag while the rope
ran over the pulley of the pry-pole. Men used the same machine in the
days before Moses, they are using it to-day on the Rance and the
Yang-tse-Kiang. It was this vast antiquity that seemed to strike Derry,
even more than the fortifications had struck him, even more than that
clock that tried to measure with its "tock-tock" something that had no
beginning and can have no end. Several times he seemed on the point of
speaking, but each time desisted. There was nothing to be said, no word
that, like the clock, was more than "tock-tock, tock-tock." And I
fancied that for a day or more past he had talked much less, that he was
ceasing to talk, as he had ceased to write, as he had ceased to paint.
He sat for long spells thinking, as if measuring that which was himself
against all that was not himself and coming to his understanding about
it.... He and Jennie had the oars. Suddenly he gave a little laugh, very
musical, and took the oar again.
"Stroke," he said.
We set off back up the stream.
We landed at the Old Bridge and began the ascent to the town; but near
the Arch of Jerzual, almost on the very spot where Julia had said she
hated people who cried, he stopped again. From a dark interior on our
left had come the knocking of a hand-loom. We entered, and Madge
translated his questions into French.
Once more he seemed to find the same fascination--the spell of the
oldest and of the newest, the first primitive principle of which our
modern inventions are but elaborated conveniences, man measuring his
strength and pitting his wit against all that is not man. So men had
fished, so they did fish. So they had woven, so they did weave. They had
fought in steel caps with hand-grenades in the past, they fought in
steel caps with hand-grenades still. And nothing to be written, painted
or said. As it had been in the beginning it would be until the end. A
momentary life was not meant for the expression of these things. They
were for contemplation, perfect understanding, and--silence.
That was on a Saturday evening. After dinner we strolled to the Jardin
des Anglais again and stood looking over the ramparts. There were no
shirley poppies in the sky now, but a serene unbroken heaven, a tender
blue fading to the still tenderer peaches and greys that merged into the
darkening land. The cypresses below us were inky black, the river where
the fishermen had fished a soft thread of inverted sky. Folk again took
their evening stroll round the walls. None of us spoke. I was wondering
what Julia Oliphant was doing in London.
Suddenly Derry broke the silence. He did so in these words.
"It's all right for Léhon and the Château de Beaumanoir to-morrow
morning, I suppose?"
"Yes, dear boy," said Madge.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account