How was she to have known, how was I to have known, how "all right" it
was for Léhon, the Château de Beaumanoir and--to-morrow?
V
The château stands a bare mile out of Dinan, and we had been there half
a dozen times before; but Derry loved those crumbling old towers on
their upstanding rock. It rises almost sheer, buttressed round with the
broken works, and from the talus to the plateau on the top is a network
of precipitous paths. You ascend it very much as you can, and the view
that is blocked as you approach it breaks on you from the summit--first
the sickening gulf of air at your feet, then the three or four miles of
the southward plain, and the canalised Rance parting company with its
attendant road to Tressaint, écluse after écluse, until it picks it up
again towards Evran. That is when you look south. To the north, peering
down through oak and beech as you might peer over the edge of a nest,
are glimpses of white ribbon--the road along which you have passed. And
on the level plateau in the middle, enclosed by oak and beech and lime,
rubble-built but with dressed stone buttresses, stands the tiny modern
Chapel of St Joseph of Consolation.
Jennie and Derry waited at the top of the last zigzag for Madge and
myself, and then gave us time to recover our breath. It was eleven
o'clock of a Sunday morning, and Dinan's bells sounded lightly in the
distance. They languished almost like human voices as, instead of
quickening for the final summons, they delayed, with longer and longer
intervals until, when you expected just one more sweet note, all was
silence.
I think that what gives that château-crowned rock its air of lightsome
space is that you come to it from Dinan, where everything crowds upon
you, the Porches trample you, and the people across the street go to bed
practically on the sill of your window. True, from the ramparts you have
sweep enough, but unless you go there very early you get a mediocre,
unbroken illumination, with every shadow hidden behind the face that is
turned towards you, and two tones paint all, the pale blue of the sky
and the average of the lighted land. So there is little to be seen from
the Château de Beaumanoir to the north.
But turn your face south, and--ah! That is where the brightness lies!
That flat average of greens and browns disappears, and you are looking,
not at colour, but at Light itself! And yet every shadow points directly
at you. All the sun that there is is on your own face--there, and
graving as if on a tarnished silver plate a glittering outline round
every object you see. Not a green, not a brown; all is grey; but
twinkles with a silver edge every tree of Rance's valley, and fuming
silver is every thread of house-smoke that ascends. That stretch of lock
that is lost again towards Tressaint is a needle-flash, and you see the
summer clouds only as you see the poplar-sheddings that float over the
gulf in June--as if save for their edges they did not exist.
Public-domain text, read in full here on John Shaqi.
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