I am not going to advertise that hateful book of Mrs Bassett's. If I
could have torn it in two as Rose had torn it I should have done so. She
had hardly changed his name--for what was "Kendal Thorne" but Derwent
Rose? So I will merely say that to old memories she had added new and
malicious inventions, and had produced a ridiculous grotesque of a vain
and peevish childhood, an impossibly blatant youth, and a culmination
born of her own distorted imagination. It was for her, and not for
himself, that he had blushed. For her sake he would have torn up every
single copy of it if by that means it could never have been. He could
have scolded her, shaken her, smacked her, ashamed, angry and helpless
as one is before an ill-conditioned child who nevertheless has claims on
one. That there could ever have been any passage between them her book
put entirely out of the question. And so much for _The Parthian Arrow_.
At half-past three that afternoon I was at the Boltons, ringing Miss
Oliphant's bell. A tiny maid admitted me, and I was shown into a sort of
alcove with a good deal of tapestry and bric-à-brac and brass about, the
sort of things the artists of half a generation ago affected for the
sake of their "colour." Nor was the studio into which I was presently
shown much different from a hundred other studios I had seen. These
glass-roofed, indigo-blinded, north-lighted wells, I may say, always
depress me, and had I to live in one of them I should instantly have a
side-window cut, so that I might at least have a glimpse once in a while
of somebody who passed in the outer world.
But somehow the place suited Miss Oliphant. Perhaps it was the north
light. Artists choose the north light because it varies little, and
there was something about her that didn't vary very much either. She
came through a portière-hung door, and as she stood there for a moment,
not surprised (for I had telephoned that I was coming), but with that
familiarity and expectancy once more in her dark eyes, I was able to
check this cool and composed impression of her with my former one of
over-lustrous eyes in the pinky gloom of the shaded lamps of the
dinner-table.
Her hair, like her eyes, was dark; but she had a habit rather than a
style of dressing it. It was piled in a high mass over her white brow,
quite neatly, but rather as if to have it out of the way and done with
than as making the most of its rich glossy treasure. A dateless, but by
no means inappropriate tea-gown of filmy grey with a gold thread
somewhere in it showed her long harmonious lines of limb and allowed her
breasts to be guessed at; and the ripeness of her shoulders set off her
long and almost too slender neck. She had cool and beautiful hands,
sleeved to the wrist; but the daylight added to her years. At our former
meeting I should have said she was thirty-five. Now I saw that she could
hardly be less than forty.
Public-domain text, read in full here on John Shaqi.
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