"Oh, how d'you do, Sir George? Really a red-letter day. Sir George
Coverham and Julia Oliphant together. Quite a galaxy--or is galaxy wrong
and does it take more than two to make one, like the Milky Way?--_Oh,
Puppetty, my stole!_--You mustn't mind if I ask you thousands of
questions--I always do when I meet distinguished people--peep behind the
scenes, eh?--_Puppetty, I shall slap you!_"--a tap on the beast's
boot-button of a nose. "_So_ handsome, Julia is, don't you think? Not in
a picture-postcard sort of way, perhaps, but such character (don't you
call it?) and such a lovely figure! I know if I were a man I should fall
head over ears in love with her! Do you mind, Sir George?"
She meant, not did I mind falling in love with Miss Oliphant, but did I
mind taking the dog's cradle and quilt from her arms. I did so, made my
bow as Miss Oliphant appeared again, and moved quickly towards the
alcove where I had left my hat.
But it was Miss Oliphant herself who stopped me, and stopped me not so
much by her quietly-spoken words--"I want you to stay"--as by the sudden
command in her eyes. This was quite unmistakable. For the first time
since I had entered her studio I saw the woman I had expected to see.
That look was too imperious altogether to disobey. I sat down again.
I swear that Mrs Bassett wore that silver stole twenty different ways in
as many minutes. The air about her was ceaselessly in motion. If
Puppetty was in his quilted cradle she had him out; if he was out she
put him back again and tucked him in. She kissed and scolded the
wretched beast, and discussed Miss Oliphant's pictures and my own books.
Only her own book she never once mentioned. And I sat, saying as little
as possible, looking from one to the other of the two women.
Then, out of the very excess of the contrast between them, light began
to dawn on me. All at once I found myself saying to myself, "This can't
be what it appears to be. There's something behind it all. Look at them
sitting there, and believe if you can that the one who's pouring out tea
couldn't, for sheer womanliness, eat the other alive! Look at her! She's
a whole packed-full history behind her, and one that's by no means at an
end yet. It radiates from every particle of her. Of course Miss Oliphant
cares just as much as you do when her friend's attacked. She's a
different way of showing it, that's all. See if she isn't putting that
other one through her paces now, and for your benefit. She's not keeping
you here without a reason. Sit still and watch."
I repeat that I said this to myself.
And from that moment I knew I was on the right track.
Public-domain text, read in full here on John Shaqi.
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