And what kind of a _Salle des Pas Perdus_ is London in which to look for
a man like that? The whole thing became an illimitable phantasmagoria of
virtue and vice, nobility and degradation, expressed in terms of bricks
and stones and buildings and streets. Sitting brooding among his black
oak furniture, I tried to envisage even that merest fragment of it all
that was being enacted within a quarter of a mile at that moment.
Whitfield's Tabernacle--and for all I knew an opium den within a
biscuit's toss of it; the Synagogue--and the lady upstairs. I pictured
the tenements behind the Shaftesbury with their iron balconies and
emergency-ladders; and I saw young lovers in their stalls at the Palace.
I saw the bright Hampstead buses, and the masked covertness of the
flitting taxis. I heard the slap and thump of beer-pumps, children's
simple prayers. Images floated before me of the gloom of
cinema-interiors, the green-shaded glow-lamps of orchestras, the
rippling of incandescent advertisements, the blackness of the jam
factory yard. There were pockets with money in them, money to buy all
the world has to sell; and there were pockets empty of the price of a
cup of coffee at the back-street barrows. There were hearts with love in
them, love as boundless as heaven's blue, and there were hearts from
which love had passed, hearts as musty as the graves that waited for
them. All but Infinity itself was to be found within a few hundred yards
of where I sat.
And flitting uniquely through it all was this man whose privacy was so
public, whose publicness was so unutterably private. He might be met at
any step, and yet, of all the millions living, there was not one he
could call contemporary. For he was the only man in the world who was
growing younger instead of older. He of all men alone was passing from
experience to innocence, through the murk of his former sins to the
perfection of his own maximum and the unimpaired godhead of his prime.
* * * * *
"But you mightn't see him again for another twenty years!" Julia
protested, shaking out her napkin and laughing for the sheer
bewilderment of it.
I had chosen the small restaurant in Jermyn Street because it had no
band to distract us.
"I know all that," I retorted. "But if you think that just sitting there
loving him is going to produce him, your way may take even longer than
mine."
"Pooh!" she said, breaking her roll. "You're wasting your time."
"Don't be irritating, Julia." It irritated me because it was so true.
"It's my time anyway."
"No it isn't, not all of it. What about my sittings?" (There had not yet
been any, by the way.) "The canvas is ready as soon as you are."
"I'll grow a beard, and then you won't want to paint me," I replied.
Public-domain text, read in full here on John Shaqi.
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