"Did that illustration ever appear?" I asked without looking at her.
I knew without looking that she smiled as she shook her head.
"Not that one. You know it didn't. The first one was good enough for
them."
And she still had the King Arthur sketch too.
"And that was when he was thirty-three?"
Now that she was off there was no stopping her, even had I wished it.
"Yes. Did you know--will you believe--that he wrote his _Vicarage_ in
just over three months?"
"He was a furious worker."
"That's just where you're wrong, George," she said eagerly. "At that
time at any rate. He was as cool as this ice. He just digested those
gigantic masses of information, and then, except for the trouble of
writing it down, he never turned a hair. I'll tell you the things that
did make him furious; those were his rottenest short stories, the things
he used to have to do to pay his rent. He always knew they were the
wrong sort of rottenness. Any kind of rottenness won't do for the
public. You've got to be rotten in quite a specialised way."
"Thank you."
"But the bigger a thing was the easier he always found it. He used to
say that if a thing was hard work there was something wrong somewhere.
Why, he'd take whole days off when he was at his very busiest. He came
into my place one morning--the same place, Cremorne Road--before
half-past eight. I was just finishing breakfast; I hadn't done my hair;
if you must know, I was rather a sloven at that time. He was in his
breeches and cap and a soft collar. 'Down tools, Julia,' he said; 'we're
off into the country for the day.' 'But, Derry, your book!' I said,
rather aghast (he'd told me a day or two before that the _Vicarage_ was
a race against time or else bankruptcy for him in the autumn). 'Oh,
that's all right; it's finished as far as I'm concerned; the pen'll do
the rest; come along just as you are.' So I put my hair up, and we went
to Chalfont, and got horribly midge-bitten, and there was an old man
playing the harp outside a little public-house where we had tea, and I
remember Derry jumped over a five-barred gate with his stick in his hand
and his pipe in his mouth...."
She remembered every detail. I don't think she had ever once seen him
but she remembered what he had on, how he had looked, what he had talked
about. These were the still depths I spoke of, of which the rest was no
more than the salt spray surface. I might be hanging about Cambridge
Circus on the off-chance of his coming for a paper or a book or
something; but I believe that in her heart something was already
rekindling, and that she was even then waiting to receive him again in
that upper room off Cremorne Road.
Public-domain text, read in full here on John Shaqi.
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