As it chanced, I had arrived just in time for one of those rather
curious effects that are obtained when the film is put through the
machine extremely slowly. You know the kind I mean. A racehorse in full
career picks up and puts down his legs as if they were fronds of seaweed
moving lazily in water; a golf-ball trickles uncannily across the green,
rising and falling idly over each minute obstacle, and then floats
gently down into the hole. In spite of my languor I found myself
interested in these analyses of motion. It is curious to see
instantaneousness taking its time over a thing like that.
Then that series also finished, and I felt in my pocket for my cigarette
case. As I drew out a cigarette and struck a match somebody behind me
leaned forward and touched me lightly on the shoulder.
"I say, isn't your name Coverham?" a man's voice said.
The match was still in my fingers. I looked over my shoulder in the
light of it. Then I dropped the match.
I had not found him. He had found me. It was Derwent Rose.
PART III
THE STRAPHANGER
I
He was not far from the end of the row, and in reaching him I had not to
disturb more than three or four people. Though it is inadequate, I have
decided that the single word that best expresses the way in which he
spoke is the word "careful." He spoke slowly, and, it seemed to me, with
extreme care.
"Interesting idea that last, isn't it? Restful. Things go at such a
deuce of a rate nowadays that it's a comfort to see anything slow. Well,
how are you, George? I haven't seen you for--some little time."
It was precisely three weeks since he had last seen me, and I noted that
slight, that very slight hesitation before his last words.
"Do you often come here? I--I rather keep away from these places myself;
they put everything through much too quickly; but I rather like this one
because of the organ. Of course they only play 'effects'--'Ora Pro
Nobis' and the 'Wedding March'--but there's something about an
organ.... I say, George," he said a little uncomfortably, "I've a sort
of feeling I owe you an apology."
"Well, this is hardly the place for it. We can't talk here. If you've
seen all you want suppose we go outside?"
The thing I wanted first of all was to have a good look at him. Already
I could see that he no longer had a beard. But my surreptitious glance
at him as we passed out into the lighted vestibule and past the
box-office told me little. On the pavement of Shaftesbury Avenue he
slipped his arm into mine.
"Yes, I fancy I talked an awful lot of rubbish that night--bit of an ass
of myself--you remember----"
Public-domain text, read in full here on John Shaqi.
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