English fiction -- 20th century; Short stories, English
Cushat-Prinkly had read of such things in scores of novels, and hundreds
of actual experiences had told him that they were true to life.
Thousands of women, at this solemn afternoon hour, were sitting behind
dainty porcelain and silver fittings, with their voices tinkling
pleasantly in a cascade of solicitous little questions. Cushat-Prinkly
detested the whole system of afternoon tea. According to his theory of
life a woman should lie on a divan or couch, talking with incomparable
charm or looking unutterable thoughts, or merely silent as a thing to be
looked on, and from behind a silken curtain a small Nubian page should
silently bring in a tray with cups and dainties, to be accepted silently,
as a matter of course, without drawn-out chatter about cream and sugar
and hot water. If one’s soul was really enslaved at one’s mistress’s
feet how could one talk coherently about weakened tea? Cushat-Prinkly
had never expounded his views on the subject to his mother; all her life
she had been accustomed to tinkle pleasantly at tea-time behind dainty
porcelain and silver, and if he had spoken to her about divans and Nubian
pages she would have urged him to take a week’s holiday at the seaside.
Now, as he passed through a tangle of small streets that led indirectly
to the elegant Mayfair terrace for which he was bound, a horror at the
idea of confronting Joan Sebastable at her tea-table seized on him. A
momentary deliverance presented itself; on one floor of a narrow little
house at the noisier end of Esquimault Street lived Rhoda Ellam, a sort
of remote cousin, who made a living by creating hats out of costly
materials. The hats really looked as if they had come from Paris; the
cheques she got for them unfortunately never looked as if they were going
to Paris. However, Rhoda appeared to find life amusing and to have a
fairly good time in spite of her straitened circumstances.
Cushat-Prinkly decided to climb up to her floor and defer by half-an-hour
or so the important business which lay before him; by spinning out his
visit he could contrive to reach the Sebastable mansion after the last
vestiges of dainty porcelain had been cleared away.
Rhoda welcomed him into a room that seemed to do duty as workshop,
sitting-room, and kitchen combined, and to be wonderfully clean and
comfortable at the same time.
“I’m having a picnic meal,” she announced. “There’s caviare in that jar
at your elbow. Begin on that brown bread-and-butter while I cut some
more. Find yourself a cup; the teapot is behind you. Now tell me about
hundreds of things.”
Public-domain text, read in full here on John Shaqi.
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