English fiction -- 20th century; Short stories, English
This even life in town, occasionally varied by a visit to a country
house, was rudely disturbed by the shock of war. Munro was in the House
of Commons when Sir Edward Grey made his statement on the position that
this country was to take up. He told me that the strain of listening to
that speech was so great that he found himself in a sweat. He described
the slowness with which the Minister developed his argument and the way
in which he stopped to put on his eye-glasses to read a memorandum and
then took them off to continue, holding the House in suspense. That
night we dined at a chop-house in the Strand with two friends. On our
way Munro insisted on walking at a tremendous pace, and at dinner, when
he ordered cheese and the waiter asked whether he wanted butter, he said
peremptorily: “Cheese, no butter; there’s a war on.” A day or two later
he was condemning himself for the slackness of the years in London and
hiring a horse to take exercise, to which he was little addicted, in the
Park. He was determined to fight. Nothing else was to have been
expected of the man who wrote _When William Came_, a novel in which he
used his supreme gift of irony to rouse his fellow-countrymen from their
torpor and to stir them to take measures for the defence of the country.
_Punch_ declared that there had been no such conversational fireworks
since Wilde, in reviewing this book, but Munro was more gratified by a
word of encouragement sent him by Lord Roberts, after he had read the
book, than by all the praise of the critics. He was over military age
and he was not robust. In the first weeks of the war there seemed little
chance of his being able to become a soldier. “And I have always looked
forward to the romance of a European war,” he said.
There still hangs in his room in Mortimer Street an old Flemish picture,
which he had picked up somewhere, of horsemen in doublets and plumed
hats, fighting beneath the walls of a city. It was, I think, the only
painting in his possession. Perhaps it was this picture that represented
to him the romance of which he spoke; but he did not hide from himself
the terrible side of war. Happily thoughts about war can be given in his
own words. The following piece appeared in the first edition of the
_Morning Post_ of April 23, 1915, under the title, _An Old Love_—
“‘I know nothing about war,’ a boy of nineteen said to me two days
ago, ‘except, of course, that I’ve heard of its horrors; yet,
somehow, in spite of the horrors, there seems to be something in it
different to anything else in the world, something a little bit
finer.’
“He spoke wistfully, as one who feared that to him war would always
be an unreal, distant, second-hand thing, to be read about in special
editions, and peeped at through the medium of cinematograph shows.
He felt that the thing that was a little bit finer than anything else
in the world would never come into his life.
Public-domain text, read in full here on John Shaqi.
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