The Trade Signs of Essex: A popular account of the origin and meanings of the public houses & other signsChristy, Miller
Philosophy
The Trade Signs of Essex: A popular account of the origin and meanings of the public houses & other signs
Christy, Miller
Essex (England) -- Social life and customs; Hotels -- England -- Essex; Signs and signboards -- England -- Essex
“There is a tradition that Richard III. was hunting in the forest,
and being missed by his courtiers was afterwards found at this
house.... The beam is massive, being not less than 16 inches wide.
The room, although only 9½ feet high, was originally a hall 28½
feet long, but subsequently reduced to 18½ feet by a partition,
leaving a passage to the inn. Yet this partition, from the style
and character of the panels, appears to have been added so early as
the reign of Henry VIII. The doors to the buttery-hatch, &c., may
still be traced on the wall of the passage.”
Writing again to the same Magazine in December, 1845, Mr. Repton says:
“I send you a sketch of a Chambermaid. The figure is now at the
White Hart, Chelmsford, having been recently removed thither from
the Black Boy. It was formerly the custom in ancient family
mansions to introduce a painting which represents a housemaid
holding a broom in her hands, which was cut out of a board, and
generally placed in a passage or at the top of the stairs. The
earliest specimens I have seen are of the date of Charles I., or
the early part of Charles II.... The enclosed specimen is of a
later period, having the Fontaine head-dress which prevailed about
the time of William III. or Queen Anne.... Sometimes the figure of
a soldier, like a sentry, was exhibited in like manner.... Such a
figure is on the staircase of the Bull at Dartford. Another, of
which I send you a sketch [see p. 129], is at the Black Boy in
Chelmsford.”
Mr. Chancellor of Chelmsford writes that--
Public-domain text, read in full here on John Shaqi.
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