The Traditional Games of England, Scotland, and Ireland (Vol 1 of 2): With Tunes, Singing-Rhymes and Methods of Playing etc.Gomme, Alice Bertha
History
The Traditional Games of England, Scotland, and Ireland (Vol 1 of 2): With Tunes, Singing-Rhymes and Methods of Playing etc.
Gomme, Alice Bertha
Folklore -- Great Britain; Games -- Great Britain
We will go and tell the Queen,
Go and tell the Queen of Barbaree.
Don’t care for the Queen, don’t care for the Queen,
The Queen of Barbaree.
Good morning, young Queen, good morning, young Queen,
I have a complaint to thee.
Pray what is your complaint to me?
They won’t surrender, they won’t surrender
The Tower of Barbaree.
Take one of my brave soldiers.
—Lady Camilla Gurdon’s _Suffolk County Folk-lore_, p. 63.
IV. You must surrend’ me, you must surrend’ me
To the Queen of Barbaloo.
No, we’ll not surrend’ you, no, we’ll not surrend’ you
To the Queen of Barbaloo.
We’ll complain, we’ll complain, &c.
[To the Queen of Barbaloo.]
You can complain, you can complain, &c.
[To the Queen of Barbaloo.]
—Penzance (Mrs. Mabbott).
(_b_) Two children stand together joining hands tightly, to personate a
fortress; one child stands at a distance from these to personate the
King of Barbarie, with other children standing behind to personate the
soldiers (fig. 1). Some of the soldiers go to the fortress and surround
it, singing the first verse (fig. 2). The children in the fortress
reply, the four first verses being thus sung alternately. The soldiers
then go to the King singing the fifth verse (fig. 3), the remaining
verses being thus sung alternately. One of the soldiers then goes to the
fortress and endeavours by throwing herself on the clasped hands of the
children forming the fortress to break down the guard (fig. 4). All the
soldiers try to do this, one after the other; finally the King comes,
who breaks down the guard. The whole troop of soldiers then burst
through the parted arms (fig. 5).
[Illustration: Fig. 1.]
[Illustration: Fig. 2.]
[Illustration: Fig. 3.]
[Illustration: Fig. 4.]
[Illustration: Fig. 5.]
This is the Deptford version. The Clapham version is almost identical;
the children take hold of each others’ skirts and make a long line. If
the brave soldier is not able to break the clasped hands he goes to the
end of the line of soldiers. The soldiers do not surround the fortress.
In the Suffolk version the soldiers try to break through the girls’
hands. If they do they have the tower. The Cornwall version is not so
completely an illustration of the capture of a fortress.
Barley-break
[Illustration: Fig. 1.]
[Illustration: Fig. 2.]
[Illustration: Fig. 3.]
Public-domain text, read in full here on John Shaqi.
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